“If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning.They're right. It does.However much you beg it to stop.It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember.It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life...All trying not to think about what's waiting at the bottom.Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor.Intoxicated by the motion we forget all the risks.And then the world turns...And somebody falls off...And oh God it's such a long way down.Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller...Receding in our memories until they're no longer visible.We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth.Trying to measure how far we have to fall.No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives...Wrapping ourselves in comforting banalities to keep us warm against the cold."Time's a great healer.""At least it was quick.""The world keeps turning."Oh Alec—Alec's dead.”

“If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning.They're right. It does.However much you beg it to stop.It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember.It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life...All trying not to think about what's waiting at the bottom.Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor.Intoxicated by the motion we forget all the risks.And then the world turns...And somebody falls off...And oh God it's such a long way down.Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller...Receding in our memories until they're no longer visible.We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth.Trying to measure how far we have to fall.No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives...Wrapping ourselves in comforting banalities to keep us warm against the cold."Time's a great healer.""At least it was quick.""The world keeps turning."Oh Alec—Alec's dead.”

“It was as if life was one great big impersonal piece of machinery.”

“I'm 65 years old. Everyday the future looks a little bit darker. But the past, even the grimy parts of it, well, it just keeps on getting brighter all the time.”

“His sister, in a big turquoise Angora sweater, leaned upon the wood frame of the open nursery door, anxiously looking out to see if he was really going to show, beaming and waving like a pastel colored TV Muppet when she spotted him.”

“Chris Claremont once said of Alan Moore, "if he could plot, we'd all have to get together and kill him." Which utterly misses the most compelling part of Alan's writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded.”

“I am but a stranger ... as we all are. Lonely inside our separate skins, we cannot know each others pain and must bear our own in solitude. For my part, I have found that walking soothes it; and that, given luck, sometimes we find one to walk besides us ... at least for a little way.”

“Romantic poetry had its heyday when people like Lord Byron were kicking it large. But you try and make a living as a poet today, and you'll find it's very different!”

“In the sixties, for anybody to suggest that the government didn't have our best interests at heart and policemen sometimes killed people would have automatically made them a radical firebrand lefty. That's not the case anymore.”

“I'm remote from most technology to the point that I'm kind of Amish.”

“For me, there is very little difference between magic and art. To me, the ultimate act of magic is to create something from nothing: It's like when the stage magician pulls the rabbit from the hat.”

“I've developed a theory that there's an inverse relationship between money and imagination. That if you've got lots of imagination then you don't really need much money, and if you've got lots of money then you won't bother with much imagination.”