In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.

In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.

Robert Gottlieb
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Schumann's 'Quintet in E flat for Piano and Strings' is one of the sublime moments in Romantic music.

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City Ballet has to develop choreographers of stature and a new approach to coaching before everything we value about it fades away and, in the great tradition of the Cheshire Cat, there's nothing left but Peter Martins' smile.

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How do you rate works of genius? Partly by personal inclination, partly by accepted wisdom, partly by popularity.

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A steady diet of the higher truths might prove exhausting, but it's important that we acknowledge their validity and celebrate their survival.

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We all need each other in publishing to make publishing work for authors in a variety of formats now and in the future. Anyone who thinks publishers don't bring anything to the table has a very narrow view and lack of knowledge about the industry as a whole.

Robert Gottlieb
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In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.

Robert Gottlieb
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We know that Diana Vishneva is a phenomenon of strength and style, and she certainly has earned the right to stretch her talents as best she can.

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The first movement ballerina should be a paradigm of strength and authority.

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Despite the rigid classicism of the famous Paris Opera school and company, the French have done more than their share to unmoor la Danse from its traditions and standards.

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Most famous stage actors tactfully fade away.

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