In books there are chapters to separate out the moments, to show that time is going by and things are changing, and sometimes the parts even have titles that are full of promise—'The Meeting', 'Hope', 'Downfall'—like paintings do. But in life there's nothing like that, no titles or signs or warnings, nothing to say 'Beware, danger!' or 'Frequent landslides' or 'Disillusion ahead'. In life you stand all alone in your costume, and too bad if it's in tatters.

In books there are chapters to separate out the moments, to show that time is going by and things are changing, and sometimes the parts even have titles that are full of promise—'The Meeting', 'Hope', 'Downfall'—like paintings do. But in life there's nothing like that, no titles or signs or warnings, nothing to say 'Beware, danger!' or 'Frequent landslides' or 'Disillusion ahead'. In life you stand all alone in your costume, and too bad if it's in tatters.

Delphine de Vigan
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People who think that grammar is just a collection of rules and restrictions are wrong. If you get to like it, grammar reveals the hidden meaning of history, hides disorder and abandonment, links things and brings opposites together. Grammar is a wonderful way of organising the world how you'd like it to be.

Delphine de Vigan, No and Me
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Some secrets are like fossils and the stone has become too heavy to turn over.

Delphine de Vigan, No and Me
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Now I know without a shadow of doubt that you can't chase away those images, let alone the visible holes that burrow deep down inside. You can't chase away the reverberations or the memories that stir as night falls or in the early hours. You can't chase away echoing screams, still less echoing silence

Delphine de Vigan, No and Me
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No prince, no success filled her dreams: only time spread out before her to spend as she chose, a time of contemplation which offered her refuge.

Delphine de Vigan
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In books there are chapters to separate out the moments, to show that time is going by and things are changing, and sometimes the parts even have titles that are full of promise—'The Meeting', 'Hope', 'Downfall'—like paintings do. But in life there's nothing like that, no titles or signs or warnings, nothing to say 'Beware, danger!' or 'Frequent landslides' or 'Disillusion ahead'. In life you stand all alone in your costume, and too bad if it's in tatters.

Delphine de Vigan, No and Me
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