“In fiction workshops, we tend to focus on matters of verisimilitude largely because such issues are so much easier to talk about than the failure of imagination.”

“Stories can encourage us and embolden us to face ourselves and to feel. Stories can make us feel less alone. If we're reading a story that moves us, we can feel that emotion that I feel towards my father or mother or girlfriend. So they can give us late-night company.”

“I could feel my moral compass as a soldier, in danger of - I could feel the squeeze, the pressure of frustration and anger and fear combining on me... I felt the danger; I felt the squeeze of it.”

“Poetry is not an issue of form and enjambments. Poetry, as the word is classically used, has to do with sound and sense. It can be rhyme. It can be rhythm, pace, breath.”

“The wars don't end when you sign peace treaties or when the years go by. They will echo on until I'm gone and all the widows and orphans are gone.”

“Fantasy has a dark side to it. It also has a light hemisphere - the power of the human imagination to keep going, to imagine a better tomorrow.”

“I learned that moral courage is harder than physical courage.”

“I know what it is to feel unloved, to want revenge, to make mistakes, to suffer disappointment, yet also to find the courage to go forward in life.”

“In the summer of 1954, after several years in Austin, Minnesota, our family moved across the state to the small, rural town of Worthington, where my dad became regional manager for a life insurance company. To me, at age 7, Worthington seemed a perfectly splendid spot on the earth.”

“Fiction, maybe art in general, is a tentative, uncertain enterprise; it's not science, it's an exploration, but you never find much in the way of answers.”

“I didn't get into writing to make money or get famous or any of that. I got into it to hit hearts, and man, when I get letters not just from the soldiers but from their kids, especially their kids, it makes it all worthwhile.”