In literature, too, we admire prose in which a small and astutely arranged set of words has been constructed to carry a large consignment of ideas. 'We all have strength enough to bear the misfortunes of others,' writes La Rochefoucauld in an aphorism which transports us with an energy and exactitude comparable to that of Maillard bridge. The Swiss engineer reduces the number of supports just as the French writer compacts into a single line what lesser minds might have taken pages to express. We delight in complexity to which genius has lent an appearance of simplicity. (p 207)

In literature, too, we admire prose in which a small and astutely arranged set of words has been constructed to carry a large consignment of ideas. 'We all have strength enough to bear the misfortunes of others,' writes La Rochefoucauld in an aphorism which transports us with an energy and exactitude comparable to that of Maillard bridge. The Swiss engineer reduces the number of supports just as the French writer compacts into a single line what lesser minds might have taken pages to express. We delight in complexity to which genius has lent an appearance of simplicity. (p 207)

Alain de Botton
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It is precisely when we hear little from our partner which frightens, shocks, or sickens us that we should begin to be concerned, for this may be the surest sign that we are being gently lied to or shielded from the other’s imagination, whether out of kindness or from a touching fear of losing our love. It may mean that we have, despite ourselves, shut our ears to information that fails to conform to our hopes — hopes which will thereby be endangered all the more. My view of human nature is that all of us are just holding it together in various ways — and that’s okay, and we just need to go easy with one another, knowing that we’re all these incredibly fragile beings.

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The rich believe that their money will insulate them from setbacks and frustrations, and that's one of the absurdist expectations of all.

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We are humiliated by what is powerful and mean, but awed by what is powerful and noble.

Alain de Botton, The Art of Travel
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My dad was a slightly stricter version of Richard Dawkins. The worldview was that there are idiots out there who believe in Santa Claus and fairies and magic and elves, and we're not joining that nonsense.

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The claims I'm making for art are simply the claims that we naturally make around music or around poetry. We're much more relaxed around those art forms. We're willing to ask, 'How could this find a place in my heart?'

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If you are pro love, you have to be a little bit disloyal to the romantic feelings that propel you in the early days.

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The philosophy I love is very selective. It is really just the bit that is involved in a search for wisdom, and this means a short roll call of names; Socrates, Marcus Aurelius, Seneca, Epicurus, Montaigne, Schopenhauer, Nietzsche.

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I'm not an academic philosopher, and don't agree with the way the universities approach the subject. I'm a philosopher only in the very loose sense of someone interested in wisdom and well-being attained through reason. But I'm as interested in psychoanalysis and art as I am in philosophy.

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