“In reality, the damned are in the same place as the saved—in reality! But they hate it; it is their Hell. The saved love it, and it is their Heaven. It is like two people sitting side by side at an opera or a rock concert: the very thing that is Heaven to one is Hell to the other. Dostoyevski says, 'We are all in paradise, but we won’t see it'…Hell is not literally the 'wrath of God.' The love of God is an objective fact; the 'wrath of God' is a human projection of our own wrath upon God, as the Lady Julian saw—a disastrous misinterpretation of God’s love as wrath. God really says to all His creatures, 'I know you and I love you' but they hear Him saying, 'I never knew you; depart from me.' It is like angry children misinterpreting their loving parents’ affectionate advances as threats. They project their own hate onto their parents’ love and experience love as an enemy—which it is: an enemy to their egotistic defenses against joy…Since God is love, since love is the essence of the divine life, the consequence of loss of this life is loss of love...Though the damned do not love God, God loves them, and this is their torture. The very fires of Hell are made of the love of God! Love received by one who only wants to hate and fight thwarts his deepest want and is therefore torture. If God could stop loving the damned, Hell would cease to be pure torture. If the sun could stop shining, lovers of the dark would no longer be tortured by it. But the sun could sooner cease to shine than God cease to be God...The lovelessness of the damned blinds them to the light of glory in which they stand, the glory of God’s fire. God is in the fire that to them is Hell. God is in Hell ('If I make my bed in Hell, Thou art there' [Ps 139:8]) but the damned do not know Him.”

“In reality, the damned are in the same place as the saved—in reality! But they hate it; it is their Hell. The saved love it, and it is their Heaven. It is like two people sitting side by side at an opera or a rock concert: the very thing that is Heaven to one is Hell to the other. Dostoyevski says, 'We are all in paradise, but we won’t see it'…Hell is not literally the 'wrath of God.' The love of God is an objective fact; the 'wrath of God' is a human projection of our own wrath upon God, as the Lady Julian saw—a disastrous misinterpretation of God’s love as wrath. God really says to all His creatures, 'I know you and I love you' but they hear Him saying, 'I never knew you; depart from me.' It is like angry children misinterpreting their loving parents’ affectionate advances as threats. They project their own hate onto their parents’ love and experience love as an enemy—which it is: an enemy to their egotistic defenses against joy…Since God is love, since love is the essence of the divine life, the consequence of loss of this life is loss of love...Though the damned do not love God, God loves them, and this is their torture. The very fires of Hell are made of the love of God! Love received by one who only wants to hate and fight thwarts his deepest want and is therefore torture. If God could stop loving the damned, Hell would cease to be pure torture. If the sun could stop shining, lovers of the dark would no longer be tortured by it. But the sun could sooner cease to shine than God cease to be God...The lovelessness of the damned blinds them to the light of glory in which they stand, the glory of God’s fire. God is in the fire that to them is Hell. God is in Hell ('If I make my bed in Hell, Thou art there' [Ps 139:8]) but the damned do not know Him.”

“In an age of hope men looked up at the night sky and saw “the heavens." In an age of hopelessness they call it simply “space.”

“Not all who listen, believe. If you call the Gospel a crazy fairy tale, a far-too-good-to-be-true myth, an insane extension of wishful thinking, or even a blasphemous lie, I will respect you and argue with you. But if you call it a platitude, I can only pity you, for that means you have never listened to it.”

“No story is more beautiful than the Gospel, even though it is a story full of pain and nails and hate and blood and sin and murder and betrayal and forsakenness and unimaginable agony and death. It is the story of what happens to the most beautiful thing, Perfect Love, when it enters our world: it comes to a Cross, to the crossroad between good and evil. All our most beautiful stories are like the Gospel: they are tragedies first, and then comedies; they are crosses and then crowns. They are crosses because they are conflicts between good and evil. That is the fundamental plot of every great story. To say "that story is beautiful" means "that story resembles the Gospel." If you are bored by the Gospel, that puts no black eye on the Gospel, but on you. Most likely, it means you have never listened to it. You must have heard it, but hearing is far from the same thing as listening...”

“I find my data first in myself, not first in the poets. For if I did not find it in myself, I would not be able to find it in the poets.”

“God allows unjust disparities between rich and poor because He does not miraculously intervene to establish justice against human wills. Also, discrepancies are not unjust by themselves; justice does not mean equality of result but equality of opportunity.”

“It is the Godfather, not God the Father, who makes you an offer you can’t refuse.”

“The fires of hell may be made of the very love of God, experienced as torture by those who hate him: the very light of God's truth, hated and fled from in vain by those who love darkness.”

“Go back to Socrates: "Know thyself." For Socrates, there are only two kinds of people: the wise, who know they are fools; and fools, who think they are wise. Similarly, for Christ and all the prophets, there are only two kinds of people: saints, who know they are sinners; and sinners, who think they are saints. Which are you?”

“God is love, and music is the language of love; therefore, music is the language of God. Music is a language more profound than words. How often have you heard a great piece of music and felt that? Great music does not just make you feel good; great music suggests some profound truth or mysterious meaning that is objectively true but not translatable into words.”

“If one Egyptian tailor hadn’t cheated on the threads of Joseph’s mantle, Potiphar’s wife would never have been able to tear it, present it as evidence to Potiphar that Joseph attacked her, gotten him thrown in prison, and let him be in a position to interpret Pharaoh’s dream, win his confidence, advise him to store seven years of grain, and save his family, the seventy original Jews from whom Jesus came. We owe our salvation to a cheap Egyptian tailor.”