“In Sing Sing Prison, in a ghastly white room stands a chair. Its parts are heavy joinings of oak, riveted and screwed together; its strong legs fastened to the floor with teeth and claws of steel. It bites into the marrow of men with fangs of fire. For this is the faldstool of bloody human justice, the prayer-chair of man’s vengeance upon man. Into it are strapped ... men who have killed other men. In it, for a high moral purpose, erring human lives are shocked across the barrier into night and the grave. - Edward H. Smith (1918)”

“In Sing Sing Prison, in a ghastly white room stands a chair. Its parts are heavy joinings of oak, riveted and screwed together; its strong legs fastened to the floor with teeth and claws of steel. It bites into the marrow of men with fangs of fire. For this is the faldstool of bloody human justice, the prayer-chair of man’s vengeance upon man. Into it are strapped ... men who have killed other men. In it, for a high moral purpose, erring human lives are shocked across the barrier into night and the grave. - Edward H. Smith (1918)”

“He woke up to knocks on his door. “Just a minute!” he said out loud. “I’m coming!”He got up and straightened himself as he opened the door.“Besi!” he said, overcome with emotion.He held her and never let go.”

“Her heart now pounding, a strange feeling of combined fear and happiness invaded her. She took a deep breath. Her lungs filled with fresh air. An invigorating rush of electricity all over her body overcame her. “So, is this how falling in love feels?” she thought.She knew the answer.”

“All Americans were immigrants at one point or another,” he explained in his letters to his parents. Even his father Manuel migrated to Puerto Rico. Manuel was deemed a Peninsular, an immigrant from Spain, and sometimes even the Puerto Rican-born, the criollos, resented the Spanish-born newcomers. Manuel was familiar with being singled out, although not quite as much as Antonio felt while in New York. “It is amazing how people tend to forget their past,” Antonio wrote to his parents, surprised. “I recall what you told me about Maestro Rafael, Papá, when he said to you ‘never forget your history.”

“¡Zape! (Shoo!) Go away, go away, espíritu maligno (bad spirit)!” they sang. “Go back to where you came from!”The festive musical celebration combined the prayers and songs with expressive dancing to the rhythm of percussion and string instruments, which accompanied the child’s ascent into heaven, where she would become an angel. Women, men and children ate, drank, prayed, sang and danced. They also played games like la gallina ciega (the blind chicken) where children tried to escape the touch of a blindfolded child who would walk around trying to feel for them. Whoever she touched was disqualified from the game. The baquiné lasted throughout the night. In a time when so many children perished to disease, this was a way for the child’s loved ones to say good-bye and endure the painful loss. But when all were gone, the crude reality set in. Manuel will never forget the image of those poor parents, devastated, sitting alone right next to the altar where their child lay dead, weeping desperately at her loss.He prayed for Ana’s soul. He prayed for those parents.And he prayed that he would never have to suffer the agony of losing a child.”

“Manuel acquired as much land as he could afford and refused to sell it to anyone, even if he was not planting anything on it. “La tierra no se acaba” (“the land does not perish”), he often said.”

“Pardon me for this resolution … I know that this will be a disgrace that I bring to my people, but I cannot help it. Love is the blame for it. I go in peace ... pray for me ... good-bye all.”

“The Death House back then was a self-contained unit, with its own hospital, kitchen, exercise yard and visiting room. The cells were inadequate, dark, and did not have proper sanitary facilities or ventilation. One window and skylight furnished the ventilation and light of the entire unit. Twelve cells were on the lower tier, six on each side, facing each other, with a narrow corridor between them. Five cells were located in an upper tier. There was an area the prisoners called the Dance Hall that housed a prisoner to be executed on his last day. The narrow corridor connected the Dance Hall to the execution room, where the Electric Chair resided. The prisoners named this corridor the Last Mile or the Green Mile, because this was the last walk a prisoner would take all the way to the small green riveted door at the end of the corridor, on his way to the execution room.”

“Antonio looked down, silent, as Shillitoni kept talking. There he was, among cold-blooded killers, talking to a gangster. A much different picture than a year prior.“Can’t trust priests, can’t trust cops either. Can’t trust nobody! Whaddaya say?”“I am not like you,” Antonio said. “I’m not like them, either. That’s what I say. I am not a cold-blooded killer!”“Ya killed, you a killa! There’s not’ng more to it!” Shillitoni said.”

“The physiological effects of an electrocution are severe and painful. Besides launching the body into violent convulsions, the electrocution of a human being causes massive destruction throughout the body.”

“Do you know who Samuel Langhorne Clemens is, Antonio?” Bessie asked.“No, chood I?” he said. “He is best known as Mark Twain, the author of The Adventures of Tom Sawyer,” she said.“I have herd of the story, but I hav not red the booc,” he said.“Well, you should read it,” she said. “It is excellent reading. An American classic. Mark Twain worked in Schoharie for a while,” she said.“Is that so?” he said.“Yes, he worked as a brakeman on the Schoharie railroad station on Depot Street the winter of 1879, three years after he wrote his famous book,” Bessie said.“Why would he do that, a famos author?” Antonio asked.“A self-published author, I should add.”