“In Tereza’s eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane from the dandy a century ago. It differentiated her from others.”
Milan Kundera“It was vertigo. A heady, insuperable longing to fall. We might also call vertigo the intoxication of the weak. Aware of his weakness, a man decides to give in rather than stand up to it. He is drunk with weakness, wishes to grow even weaker, wishes to fall down in the middle of the main square in front of everybody, wishes to be down, lower than down." -Milan Kundera, The Unbearable Lightness of Being, p. 76”
Milan Kundera, The Unbearable Lightness of Being“Betrayal means breaking ranks and going off into the unknown. Sabina knew of nothing more magnificent than going off into the unknown.”
Milan Kundera“That conversation with the taxi driver suddenly made clear to me the essence of the writer's occupation. We write books because our children aren't interested in us. We address ourselves to an anonymous world because our wives plug their ears when we speak to them.”
Milan Kundera“For what is love if one loves a woman without knowing her? Just a decision to love? Or even an imitation? The question concerns us all: If, from our childhood on, the examples of love were not there inviting us to copy them, would we know what "loving" means?”
Milan Kundera“If excitement is a mechanism our Creator uses for His own amusement, love is something that belongs to us alone and enables us to flee the Creator. Love is our freedom. Love lies beyond "Es Muss sein!”
Milan Kundera“The physical contact with people who struck and trampled and killed one another seemed far worse to him than a solitary death in the purity of the waters.”
Milan Kundera, Immortality“We don't know when our name came into being or how some distant ancestor acquired it. We don't understand our name at all, we don't know its history, and yet we bear it with exalted fidelity, we merge with it, we like it, we are ridiculously proud of it as if we had thought it up ourselves in a moment of brilliant inspiration. A face is like a name. It must have happened some time toward the end of my childhood: I kept looking in the mirror for such a long time that I finally believed that what I was seeing was my self. My recollection of this period is very vague, but I know that the discovery of the self must have been intoxicating. Yet there comes a time when you stand in front of a mirror and ask yourself: this is my self? And why? Why did I want to identify with this? What do I care about this face? And at that moment everything starts to crumble. Everything starts to crumble.”
Milan Kundera, Immortality“He took her in his arms and lifted her up. She looked at him and he noticed only now that her eyes were full of tears. He pressed her to him. She understood that he loved her and this suddenly filled her with sadness. She felt sad that he loved her so much, and she felt like crying.”
Milan Kundera, Immortality“He thought: that's certainly how it starts. One day a person puts his legs up on a bench, then night comes and he falls asleep. That's how it happens that one fine day a person joins the tramps and turns into one of them.”
Milan Kundera, Identity“Darling, my darling, don't think that I don't love you or that I didn't love you, but it's precisely because I love you that I couldn't have become what I am today if you were still here. It's impossible to have a child and despise the world as it is, because that's the world we've put the child into. The child makes us care about the world, think about it's future, willingly join in its racket and its turmoils, take its incurable stupidity seriously.”
Milan Kundera, Identity