“In the Village IIIWho has removed the typewriter from my desk,so that I am a musician without his pianowith emptiness ahead as clear and grotesqueas another spring? My veins bud, and I am sofull of poems, a wastebasket of black wire.The notes outside are visible; sparrows willline antennae like staves, the way springs were,but the roofs are cold and the great grey riverwhere a liner glides, huge as a winter hill,moves imperceptibly like the accumulatingyears. I have no reason to forgive herfor what I brought on myself. I am past hating,past the longing for Italy where blowing snowabsolves and whitens a kneeling mountain rangeoutside Milan. Through glass, I am waitingfor the sound of a bird to unhinge the beginningof spring, but my hands, my work, feel strangewithout the rusty music of my machine. No wordsfor the Arctic liner moving down the Hudson, for the mangeof old snow moulting from the roofs. No poems. No birds.”

“The English language is nobody's special property. It is the property of the imagination: it is the property of the language itself.”

“Visual surprise is natural in the Caribbean; it comes with the landscape, and faced with its beauty, the sigh of History dissolves.”

“In the Village IIIWho has removed the typewriter from my desk,so that I am a musician without his pianowith emptiness ahead as clear and grotesqueas another spring? My veins bud, and I am sofull of poems, a wastebasket of black wire.The notes outside are visible; sparrows willline antennae like staves, the way springs were,but the roofs are cold and the great grey riverwhere a liner glides, huge as a winter hill,moves imperceptibly like the accumulatingyears. I have no reason to forgive herfor what I brought on myself. I am past hating,past the longing for Italy where blowing snowabsolves and whitens a kneeling mountain rangeoutside Milan. Through glass, I am waitingfor the sound of a bird to unhinge the beginningof spring, but my hands, my work, feel strangewithout the rusty music of my machine. No wordsfor the Arctic liner moving down the Hudson, for the mangeof old snow moulting from the roofs. No poems. No birds.”

“As human beings we’ve certainly suffered the loss of awe, the loss of sacredness, and the loss of the fact that we’re not here— we’re not put on earth— to shape it anyway we want... You want something to happen with poetry, but it doesn’t make anything happen. So then somebody says, “What’s the use of poetry?” Then you say, “Well, what’s the use of a cloud? What’s the use of a river? What’s the use of a tree?” They don’t make anything happen.”

“Break a vase, and the love that reassembles the fragments is stronger than that love which took its symmetry for granted when it was whole.”

“Who is the man who can speak to the strong?Where is the fool who can talk to the wise?Men who are dead now have learnt this long,Bitter is wisdom that fails when it tries.”

“What are men? Children who doubt.”

“I too saw the wooden horse blocking the stars.”

“The future happens. No matter how much we scream.”

“Who with the Devil tries to play fair,weaves the net of his own despair.Oh, smile; what’s a house between drunkards?”