“indelible waitingl'art poetique"..I will wait for the night to chase me..."I sit on a rock and watch children playingin the park belowThey don't see meOr know my thoughtsOr that you haven't calledBut I forgive them their indifference todayAbove me a crow cawsPerhaps he smells the crumbs on my dressOr my angerBut he flits away over the treesProbably has a homeProbably has a wifeProbably knew to callThe children leaveThe coffee in my can turns coldThe wind nips at meSome street lights flicker onBut I won't moveNot yetI will wait for the night to chase meBack where I came fromUp the empty streetTo a quiet house”

“He lived a quiet existence where the future was easy to predict and the past was a cancer in remission. It was meaningful, of course. But it was lonely.”

“People tended to forgive only partially. They forgave in order to, one day, get a chance to remind those they’d forgiven about their failings. They forgave to feel righteous. That’s why forgiveness was so painful – because it meant conceding. It meant letting go of her case without a rebuttal. True forgiveness knew no justice. It was liberating, most probably… but freedom comes at a cost. Freedom is never free.”

“The endless ocean was his sole companion , and on some deeply sentimental level, it seemed sufficient. Almost apt. He aligned himself with Thoreau and Tolstoy, he felt like their peers. The kinship with nature devoted humans to a mythical state, a heightened persona beyond the reach of mere mortals. At least that was what he told himself on the lonely nights when insomnia played on his fears and the howling wind pierced through his soul.”

“That was the problem with ones actions. They would always remain ‘acted’. They always remained ‘being done’, and their influence on the world, whether small or big , would always be palpable. You couldn't refute the past. He would always remain liable for the consequences of his actions. Should anyone knock on his door and ask for reparation, he would give what was asked of him without question. There simply was no way of clearing the world of its history, and its history was simply a compilation of the existence of people and other organisms , and their actions. Of things which had been done.”

“Gone were the days where December locked coastal towns down in the grips of labour. Although it was still mostly true, things had changed ; Cape Town had adapted its rhythm to the influx of foreign feet. Tourism was a year -round thing and no longer limited to the summer. Most local tourists still flocked here during this time, but Capetonians didn’t seem too bothered to serve at their beck and call. Sam thought of Cape Town as France , and the rest of the country as England. The city, although relying heavily on local tourism – feigned ignorance when it came to the contribution of these outsiders to its wellbeing.”

“I sit on a rock and watch children playingin the park belowThey don't see meOr know my thoughtsOr that you haven't calledBut I forgive them their indifference todayAbove me a crow cawsPerhaps he smells the crumbs on my dressOr my angerBut he flits away over the treesProbably has a homeProbably has a wifeProbably knew to callThe children leaveThe coffee in my can turns coldThe wind nips at meSome street lights flicker onBut I won't moveNot yetI will wait for the night to chase meBack where I came fromUp the empty streetTo a quiet house”

“indelible waitingl'art poetique"..I will wait for the night to chase me..."I sit on a rock and watch children playingin the park belowThey don't see meOr know my thoughtsOr that you haven't calledBut I forgive them their indifference todayAbove me a crow cawsPerhaps he smells the crumbs on my dressOr my angerBut he flits away over the treesProbably has a homeProbably has a wifeProbably knew to callThe children leaveThe coffee in my can turns coldThe wind nips at meSome street lights flicker onBut I won't moveNot yetI will wait for the night to chase meBack where I came fromUp the empty streetTo a quiet house”