It is this outer reach of existential abnegation – the moment where subjective identity deserts itself and becomes enslaved without consciousness of its subjugated condition – that Mirbeau consistently sought to decry with horror.

It is this outer reach of existential abnegation – the moment where subjective identity deserts itself and becomes enslaved without consciousness of its subjugated condition – that Mirbeau consistently sought to decry with horror.

Emily Apter
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It is this outer reach of existential abnegation – the moment where subjective identity deserts itself and becomes enslaved without consciousness of its subjugated condition – that Mirbeau consistently sought to decry with horror.

Emily Apter
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