“It is what writers do, imagine and feel the pain of others, sometimes at the expense of feeling their own. Here, then, in these pages is mine, the fear of death, of loss, of unexpressed love. Here is the truth told in a story. And in the telling of it perhaps I have found some way to have courage, to believe.”

“It is what writers do, imagine and feel the pain of others, sometimes at the expense of feeling their own. Here, then, in these pages is mine, the fear of death, of loss, of unexpressed love. Here is the truth told in a story. And in the telling of it perhaps I have found some way to have courage, to believe.”

“Neither did she realise yet that grief is a kind of glue, too, that the essence of humanity is this empathy, and that we fall together in that moment of tenderest perception when we see and feel each other's wounds and know another's sorrow like a brother of our own.”

“I've read dozens of interviews and accounts that basically come down to How Poets Do It and the truth is they're all do-lally and they're all different. There's Gerard Manly Hopkins in his black Jesuit clothes lying face down on the ground to look at an individual bluebell, Robert Frost who never used a desk, was once caught short by a poem coming and wrote it on the sole of his shoe, T.S. Eliot in his I'm-not-a-Poet suit with his solid sensible available-for-poetry three hours a day, Ted Hughes folded into his tiny cubicle at the top of the stairs where there is no window, no sight or smell of earth or animal but the rain clatter on the roof bows him to the page, Pablo Neruda who grandly declared poetry should only ever be handwritten, and then added his own little bit of bonkers by saying: in green ink. Poets are their own nation. Most of them know.”

“We are our stories. We tell them to stay alive or keep alive those who only live now in the telling.”

“Human beings are not seamless smooth creations, they have insoluble parts, and the closer you look the more mysterious they become.”

“It's been well-thumbed, at least triple-read, there's that smell the fat orange-spine Penguins get when their pages have yellowed and the book bulges, basically the smell of complex humanity, sort of sweat and salt and endeavour. Like all the fat orange Penguins, it gets fatter with reading, which it should, because in a way the more you read it the bigger your own experience of the world gets, the fatter your soul.”

“It's a blindness thing, faith.”

“When my father first took me to Ennis Library I went down among the shelves and felt company, not only the company of writers, but the readers too, because they had lifted and opened and read these books. The books were worn in a way they can only get worn by hands and eyes and minds”

“The parts of our lives when we write them down seem to belong in different books, by different writers even. What all these bits and pieces make up I don't know. There is no plot. Perhaps meaning is something we invent afterward, putting it all together, like imagined God.”

“It is what writers do, imagine and feel the pain of others, sometimes at the expense of feeling their own. Here, then, in these pages is mine, the fear of death, of loss, of unexpressed love. Here is the truth told in a story. And in the telling of it perhaps I have found some way to have courage, to believe.”

“Writing is a sickness only cured by writing.”