It's laughable, looking back, to see the processes I went through, pretending to make a reasoned decision. No choice is ever made on the basis of logic; the logic is fabricated around the impulse, the initial desire which is innate and incontrovertible. All the time, I knew where I was going, the elements of my fulfillment or ruin were always present; I only had to work my way into that seam of desire and find the hidden vein of dross or gold. It's not a question of predestination, it's just that free will and destiny are illusions, false opposites, consolations. In the end, they are one and the same: a single process. You choose what you choose and it could not have been otherwise: the choice is destiny. It was there all along, but any alternative you might have considered is an absurd diversion, because it is in your nature to make one choice rather than another. That is identity. To speak of freedom or destiny is absurd because it suggests there is something outside yourself, directing your life, where really it is of the essence: identity, the craftwork of the soul.

It's laughable, looking back, to see the processes I went through, pretending to make a reasoned decision. No choice is ever made on the basis of logic; the logic is fabricated around the impulse, the initial desire which is innate and incontrovertible. All the time, I knew where I was going, the elements of my fulfillment or ruin were always present; I only had to work my way into that seam of desire and find the hidden vein of dross or gold. It's not a question of predestination, it's just that free will and destiny are illusions, false opposites, consolations. In the end, they are one and the same: a single process. You choose what you choose and it could not have been otherwise: the choice is destiny. It was there all along, but any alternative you might have considered is an absurd diversion, because it is in your nature to make one choice rather than another. That is identity. To speak of freedom or destiny is absurd because it suggests there is something outside yourself, directing your life, where really it is of the essence: identity, the craftwork of the soul.

John Burnside
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My father was one of those men who sit in a room and you can feel it: the simmer, the sense of some unpredictable force that might, at any moment, break loose, and do something terrible. [Burnside, p. 27]

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The trick and the beauty of language is that it seems to order the whole universe, misleading us into believing that we live in sight of a rational space, a possible harmony.

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I realised I'd spent a lot of time in my poetry trying to find a way of talking about that whereof we cannot speak.

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With fiction, I tend to get to my desk and start writing. Poetry I write in my head, often while walking, so that my poems have an organic quality, hopefully.

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Poetry stands or falls by its music.

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My poems tend to be more celebratory and lyrical, and the novels so far pretty dark. Poetry doesn't seem to me to be an appropriate tool for exploring that.

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The woods were a boon; all too often, the forest offered danger and mystery. Yet it could be liberating. If you entered that wild place on its own terms, you might be accorded wisdom.

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It is common knowledge now that we depend on insects for our continued existence; that, without key pollinators, the human population would collapse in less than a decade.

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This is a truth that should be repeated like a mantra: to have any chance of a ful - filling life, we require not only clean air and a steady climate, but also an abundance of meadows and woodlands, rivers and oceans, teeming with life and the mass existence of other living creatures.

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What the flamingo teaches a child, at that subliminal level where animal encounters work, is that gravity is not just a limitation, but also a possible partner in an intriguing, potentially joyful game.

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