“Julianne Moore and Michael Keaton began in 1980s soap operas and 1970s sitcoms, respectively, such ancient history by show business standards that you need carbon dating to measure their careers.”

“Julianne Moore and Michael Keaton began in 1980s soap operas and 1970s sitcoms, respectively, such ancient history by show business standards that you need carbon dating to measure their careers.”

“Scarlett Johansson has a smile she tries to suppress in every movie she makes. She's been trying to keep a straight face since she appeared with Bill Murray 11 years ago in her breakthrough, 'Lost in Translation.'”

“Julianne Moore and Michael Keaton began in 1980s soap operas and 1970s sitcoms, respectively, such ancient history by show business standards that you need carbon dating to measure their careers.”

“When television captured the popular imagination of the 1950s, a rash of movies satirized Hollywood while also mythologizing it.”

“Walt Disney had a nuclear imagination before the advent of nuclear, some comprehension of apocalypse and rapture deep in his genes.”

“Before movies, memory unspooled differently in the mind, trailing off in dust-blasted fade-out rather than spliced-together flashback; before photography, memory rippled like a reflection on water's surface, less precise but more profoundly true.”

“Can anything be less cool than defending the motion picture academy?”

“Redford always has been a cool presence both before and behind the camera. His best movie as a filmmaker, 1994's 'Quiz Show,' exhibits a classicism verging on self-repression, and the social indignation in many of his films engages more than moves you.”

“'The Company You Keep' is about outgrowing not just the delusions that accompany youth but the harsh certainties driving our lives and then trapping them before the years outpace the velocity of our dreams.”

“Drawing the desperate and the adrift, Los Angeles has long been the dumping ground of dreams both real and cinematic.”

“When he placed a candle on the shelf across the room from him and lit its wick, he came to realize that in fact everything he saw was a flat surface, like a screen – that in fact dimension was an illusion. Everything was a flat surface and the pinpoints of light, whether from a candle on the shelf or a gaslamp above the street, were punctures in that surface – gashes made by somebody behind the screen. He realized then that beyond everything he saw there was an entire realm of blazing sunfire, and that colors were only the silhouettes of people in that realm – walking, eating, dancing, doing whatever they were doing behind the screen. “It astonished Adolphe that everyone failed to realize they were just figures on a tapestry, the shadows of something else. He was therefore amused by the conceit of women, for instance, who who admired the creamy color of their skin when in fact it was only the haze of some other woman behind the vast screen staring into a mirror. Adolphe could explain all of this to himself but he could not explain Janine: Janine wasn't the same as the others. Janine was like their mother; and Adolphe decided Lulu was from this place beyond the surface, and she had, perhaps when she was a little girl, slipped through. “Adolphe wondered why Lulu hadn't told them about this, and then realized she probably would when she thought they were old enough to understand it. He could see it wasn't something one would want to tell a child too soon.”