“L’arbre tombe feuille à feuille : si les hommes contemplaient chaque matin ce qu’ils ont perdu la veille, ils s’apercevraient bien de leur pauvreté.”

“L’arbre tombe feuille à feuille : si les hommes contemplaient chaque matin ce qu’ils ont perdu la veille, ils s’apercevraient bien de leur pauvreté.”

“Music is the child of prayer the companion of religion.”

“Posters go up in the market, on tree trunks in the Place Chateaubriand. Voluntary surrender of firearms. Anyone who does not cooperate will be shot.”

“As a child, at the age when others promise to be Chateaubriand or nothing, I had written that I would be myself or nothing. I had certainly not foreseen that one day I would find myself in the position of being both myself and nothing. 65”

“The sign of a true woman isn't the ability to recite French poetry or play the pianoforte or cook Chateaubriand. The sign of a true woman is learning to listen to her own voice even when society does its best to drown it out.”

“Depending on which flavor of academic scholarship you prefer, that age had its roots in the Renaissance or Mannerist periods in Germany, England, and Italy. It first bloomed in France in the garden of Jean-Jacques Rousseau in the 1780s. Others point to François-René de Chateaubriand’s château circa 1800 or Victor Hugo’s Paris apartments in the 1820s and ’30s. The time frame depends on who you ask. All agree Romanticism reached its apogee in Paris in the 1820s to 1840s before fading, according to some circa 1850 to make way for the anti-Romantic Napoléon III and the Second Empire, according to others in the 1880s when the late Romantic Decadents took over. Yet others say the period stretched until 1914—conveniently enduring through the debauched Belle Époque before expiring in time for World War I and the arrival of that other perennial of the pigeonhole specialists, modernism. There are those, however, who look beyond dates and tags and believe the Romantic spirit never died, that it overflowed, spread, fractured, came back together again like the Seine around its islands, morphed into other isms, changed its name and address dozens of times as Nadar and Balzac did and, like a phantom or vampire or other supernatural invention of the Romantic Age, it thrives today in billions of brains and hearts. The mother ship, the source, the living shrine of Romanticism remains the city of Paris.”

“An original writer is not one who imitates nobody but one whom nobody can imitate.”

“A master in the art of living draws no sharp distinction between her work and her play; her labor and her leisure; her mind and her body; her education and her recreation. She hardly knows which is which. She simply pursues her vision of excellence through whatever she is doing, and leaves others to determine if she is working or playing. To herself, she always appears to be doing both.”

“Si quelques heures font une grande différence dans le cœur de l’homme, faut-il s’en étonner ? Il n’y a qu’une minute de la vie à la mort.”

“Quand on parle des vices d’un homme, si on vous dit : “Tout le monde le dit” ne le croyez pas ; si l’on parle de ses vertus en vous disant encore : “Tout le monde le dit”, croyez-le.”

“L’arbre tombe feuille à feuille : si les hommes contemplaient chaque matin ce qu’ils ont perdu la veille, ils s’apercevraient bien de leur pauvreté.”