“Little did they suspect that the years would end by wearing away the disharmony.Little did they suspect that La Mancha and Montiel and the knight's frail figure would be, for the future, no less poetic than Sinbad's haunts or Ariosto's vast geographies.For myth is at the beginning of literature, and also at its end.”

“Little did they suspect that the years would end by wearing away the disharmony.Little did they suspect that La Mancha and Montiel and the knight's frail figure would be, for the future, no less poetic than Sinbad's haunts or Ariosto's vast geographies.For myth is at the beginning of literature, and also at its end.”

“As Borges himself showed us in so many stories — "The Aleph", "The Garden of Forking Paths", "The Gift", "Blue Tigers", "Shakespeare's Memory" — a blessing is always a mixed blessing.As Borges noted sadly, he inherited a library, and blindness; we who study Borges inherit great sight, yet the rest of the library somehow fades.(pg 303, "What I Lost When I Translated Jorge Luis Borges")”

“Ferrari: How odd, Borges, it seems that we are talking constantly through memory. Sometimes, our conversations remind me of a dialogue between two memories.Borges: In fact, that’s what it is. If we are something, we are our past, aren’t we? Our past is not what can be recorded in a biography or in the newspapers. Our past is our memory. That memory can be hidden or inaccurate—it doesn’t matter. It’s there, isn’t it? It can be a lie but that lie becomes part of our memory, part of us. (Conversations, Vol. 1)”

“And yet, and yet… Denying temporal succession, denying the self, denying the astronomical universe, are apparent desperations and secret consolations. Our destiny … is not frightful by being unreal; it is frightful because it is irreversible and iron-clad. Time is the substance I am made of. Time is a river which sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire. The world, unfortunately, is real; I, unfortunately, am Borges.”

“I never reread what I've written. I'm far too afraid to feel ashamed of what I've done.”

“A writer always begins by being too complicated—he’s playing at several games at once.”

“How can we manage to illuminate the pathos of our lives?”

“The story of two dreams is a coincidence, a line drawn by chance, like the shapes of lions or horses that are sometimes formed by clouds.”

“I owe my first inkling of the problem of infinity to a large biscuit tin that was a source of vertiginous mystery during my childhood.”

“Things, events, that occupy space yet come to an end when someone dies make us stop in wonder - and yet one thing, or an infinite number of things, dies with every man's or woman's death, unless the universe itself has a memory, as theosophists have suggested. In the course of time there was one day that closed the last eyes that had looked on Christ; the battle of Junín and the love of Helen died with the death of one man. What will die with me the day I die? What pathetic or frail image will be lost to the world? The voice of Macedonio Fernández, the image of a bay horse in a vacant lot on the corner of Sarrano and Charcas, a bar of sulfur in the drawer of a mahogany desk?”

“It also occurred to him that throughout history, humankind has told two stories: the story of a lost ship sailing the Mediterranean seas in quest of a beloved isle, and the story of a god who allows himself to be crucified on Golgotha.”