“Lola writes in her notebook: Leaf-fleas are even worse. Someone said, They don't bite people, because people don't have leaves. Lola writes, When the sun is beating down, they bite everything, even the wind. And we all have leaves. Leaves fall off when you stop growing, because childhood is all gone. And they grow back when you shrivel up, because love is all gone. Leaves spring up at will, writes Lola, just like tall grass. Two or three children in the village don't have any leaves, and those have a big childhood. A child like that is an only child, because it has a father and a mother who have been to school. The leaf-fleas turn older children into younger ones - a four-year-old into a three-year-old, a three-year-old into a one-year-old. Even a six-months-old, writes Lola, and even a newborn. And the more little brothers and sisters the leaf-fleas make, the smaller the childhood becomes.”

“Silence is also a form of speaking.”

“Silence is also a form of speaking. They’re exactly alike. It’s a basic component of language. We’re always selecting what we say and what we don’t. Why do we say one thing and not the other? And we do this instinctively, too, because no matter what we’re talking about, there’s more that doesn’t get said than does. And this isn’t always to hide things—it’s simply part of an instinctive selection in our speech. This selection varies from one person to the next, so that no matter how many people describe the same thing, the descriptions are different, the point of view is different. And even if there is a similar viewpoint, people make different choices as to what is said or not said. This was very clear to me, coming from the village, since the people there never said more than they absolutely needed to. When I was fifteen and went to the city, I was amazed at how much people talked and how much of that talk was pointless. And how much people talked about themselves—that was totally alien to me.For me, silence had always been another form of communication. After all, you can tell so much just by looking at a person. At home we always knew about each other even if we didn’t talk about ourselves all the time. I encountered a lot of silence elsewhere as well. There was the silence that was self-imposed, because you could never say what you really thought.”

“Tereza's death hurt me so much, it was as if I had two heads smashing into each other. One was full of mown love, the other of hate. I wanted the love to grow back. It grew like grass and straw, all mixed up together, and turned into an icy affirmation on my brow. That was my damn stupid plant.”

“Windisch closes his eyes. He feels his eyes. He feels his eyeballs in his hands. His eyes without a face.”

“He's looking into the night, in case a shadow comes to listen and look.”

“Everyday brought me further away from other people, I had been placed out of the world's sight, as if in a cupboard, and I hoped it would stay that way. I developed a yearning for being alone, unkempt, untended.”

“I was all too aware that there's an unspoken law that you should never start to cry if you have too many reasons to do so. I told myself that my tears were due tot he cold, and I believed myself.”

“To combat death you don't need much of a life, just one that isn't yet finished.”

“No words are adequate for the suffering caused by hunger. To this day I have to show hunger that I escaped his grasp. Ever since I stopped having to go hungry, I literally eat life itself. And when I eat, I am locked up inside the taste of eating. For sixty years, ever since I came back from the camp, I have been eating against starvation.”

“I'm always telling myself I don't have many feelings. Even when something does affect me I'm only moderately moved. I almost never cry. It's not that I'm stronger than the ones with teary eyes, I'm weaker. They have courage. When all you are is skin and bones, feelings are a brave thing. I'm more of a coward. The difference is minimal though, I just use my strength not to cry. When I do allow myself a feeling, I take the part that hurts and bandage it up with a story that doesn't cry, that doesn't dwell on homesickness.”