“MAYBE YOU SHOULD BE AN ENGLISH MAJOR. AT LEAST, YOU GET TO READ STUFF THAT'S WRITTEN BY PEOPLE WHO CAN WRITE! YOU DON'T HAVE TO DO ANYTHING TO BE AN ENGLISH MAJOR, YOU DON'T NEED ANY SPECIAL TALENT, YOU JUST HAVE TO PAY ATTENTION TO WHAT SOMEONE WANTS YOU TO SEE - TO WHAT MAKES SOMEONE ANGRIEST, OR THE MOST EXCITED IN SOME OTHER WAY. IT'S SO EASY!; I THINK THAT'S WHY THERE ARE SO MANY ENGLISH MAJORS!”

“You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the bore of all time. A lot of the people whose work they’ve taught in the schools for the last thirty years, I can’t understand why people read them and why they are taught. The library, on the other hand, has no biases. The information is all there for you to interpret. You don’t have someone telling you what to think. You discover it for yourself.”

“And I find - I'm 63, and my capacity to be by myself and just spend time by myself hasn't diminished any. That's the necessary part of being a writer, you better like being alone.”

“I suppose I'm proudest of my novels for what's imagined in them. I think the world of my imagination is a richer and more interesting place than my personal biography.”

“It's not very interesting to establish sympathy for people who, on the surface, are instantly sympathetic. I guess I'm always attracted to people who, if their lives were headlines in a newspaper, you might not be very sympathetic about them.”

“I take people very seriously. People are all I take seriously, in fact. Therefore, I have nothing but sympathy for how people behave - and nothing but laughter to console them with.”

“With every book, you go back to school. You become a student. You become an investigative reporter. You spend a little time learning what it's like to live in someone else's shoes.”

“The building of the architecture of a novel - the craft of it - is something I never tire of.”

“To each other, we were as normal and nice as the smell of bread. We were just a family. In a family even exaggerations make perfect sense.”

“I grew up around books - my grandmother's house, where I lived as a small child, was full of books. My father was a history teacher, and he loved the Russian novels. There were always books around.”

“The object of war is to survive it.”