“Maybe you've heard the story of the man who was so driven by this curiosity that he roamed among soldiers in battlefields. He sought a man who had died and returned to life amid the wounded struggling for their lives in pools of blood, a soldier who could tell him about the secrets of the Otherworld. But one of Tamerlane's warriors, taking the seeker for one of the enemy, cleared him in half with a smooth stroke of his scimitar, causing him to conclude that in the Hereafter man is split in two.”

“A novelist is essentially a person who covers distance through his patience, slowly, like an ant. A novelist impresses us not by his demonic and romantic vision, but by his patience.”

“Heroic dreams are the consolation of the unhappy. After all, when people like us say we're being heroic, it usually means we're about to kill each other--or kill ourselves.”

“There are two kinds of Communists: the arrogant ones, who enter the fray hoping to make men out of the people and bring progress to the nation; and the innocent ones, who get involved because they believe in equality and justice. The arrogant ones are obsessed with power; they presume to think for everyone; only bad can come of them. But the innocents? The only harm they do is to themselves. But that's all they ever wanted in the first place. They feel so guilty about the suffering of the poor, and are so keen to share it, that they make their lives miserable on purpose.”

“I read a book one day and my whole life was changed.”

“I would be pleased if someone would invent a pill to remove my impatience, moodiness, and occasional bursts of anger. But if they did, I wouldn't be able to write my novels or paint.”

“My home is attached to a study - in fact, my home is my study, and I have a little room to sleep in. I need to write looking onto the street or a landscape. Looking at reality from some distance gives me romantic visions.”

“I wanted to tell a romantic and dark side of Ottoman history that was also slightly political, saying to the previous generation of writers, 'Look, I'm interested in Ottoman things, and I'm not afraid of it, and I'm doing something creative.'”

“'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in the sense that it wants to capture how a man suppresses a woman.”

“I have always thought that the place where you sleep or the place you share with your partner should be separate from the place where you write. The domestic rituals and details somehow kill the imagination. They kill the demon in me.”

“The fictive structure, my work, my imagination, my books are about the details, the huge construction about culture, Islamic culture or modern Turkey. They're all intertwined.”