“Monsters’ can help us by giving a tangible form to our secret fears. It is less widely appreciated today that ‘wonders’ such as the unicorn legitimize our hopes. But all imaginary animals, to some degree all animals, are ultimately both monsters and wonders, which assist us by deflecting and absorbing our uncertainties . It is hard to tell ‘imaginary animals’ from symbolic, exemplary, heraldic, stylized, poetic, literary, or stereotypical ones. What is reality? Until we answer that question with confidence, a sharp differentiation between real animals and imaginary ones will remain elusive. There is some yeti in every ape, and a bit of Pegasus in every horse. Men and women are not only part angel and part demon, as the old cliché goes; they are also part centaur, part werewolf, part mandrake, and part sphinx.”

“Simply raising the theme of animals in the Third Reich means that our narrative is no longer only an account of what human beings have done to one another, but also about our relations with the natural world. If,viewed against the magnitude and terror of historical events, our personal lives appear almost trivial, the lives of animals may seem more so, and evento raise the subject can at first seem either insensitive or pedantic. At thesame time, this new dimension places the events in an even vaster perspective still, one in which even the greatest battles and horrendouscrimes can begin to fade into insignificance. This is the standpoint of evolutionary time, in which humankind itself may be no more than arelatively brief episode. Perhaps the focus on animals may help us to finda more harmonious balance between the personal, historic, and cosmiclevels, on which, simultaneously we conduct our lives.”

“We writers constantly try to build up our own confidence by getting published, making sales, winning prizes, joining cliques or proclaiming theories. The passion to write constantly strips this vanity aside and forces us to confront that loneliness and the uncertainty with which human beings, in the end, live and die.”

“History, for better or worse, is 'us' on a grand scale ─ full of secrets, beauty, fear, longing, and stifled love. Without history, our lives would not be complete, and we could not be, in the best sense, fully 'human.”

“Monsters’ can help us by giving a tangible form to our secret fears. It is less widely appreciated today that ‘wonders’ such as the unicorn legitimize our hopes. But all imaginary animals, to some degree all animals, are ultimately both monsters and wonders, which assist us by deflecting and absorbing our uncertainties . It is hard to tell ‘imaginary animals’ from symbolic, exemplary, heraldic, stylized, poetic, literary, or stereotypical ones. What is reality? Until we answer that question with confidence, a sharp differentiation between real animals and imaginary ones will remain elusive. There is some yeti in every ape, and a bit of Pegasus in every horse. Men and women are not only part angel and part demon, as the old cliché goes; they are also part centaur, part werewolf, part mandrake, and part sphinx.”

“We poetically construct our identity as human beings, together with our values, largely through reciprocal relationships with animals. They provide us with essential points of reference, as well as illustrations of the qualities that we may choose to emulate or avoid in ourselves. Any major change in our relationships with animals, individual or collective, reverberates profoundly in our character as human beings, in ways that go far beyond immediately pragmatic concerns. When a species becomes extinct, something perishes in the human soul as well.”