“Most photographers have some kind of verbal patter going on when they shoot: "Great. Turn to me. Big smile. Less shark eyes. Have fun with it. Not like that." Some photographers are compulsively effusive. "Beautiful. Amazing. Gorgeous! Ugh, so gorgeous!" they yell at shutter speed. If you are anything less than insane, you will realize this is not sincere. It's hard to take because it's more positive feedback than you've received in your entire life thrown at you in fifteen seconds. It would be like going jogging while someone rode next to you in a slow-moving car, yelling, "Yes! You are Carl Lewis! You're breaking a world record right now. Amazing! You are fast. You're going very fast, yes!”

“Most photographers have some kind of verbal patter going on when they shoot: "Great. Turn to me. Big smile. Less shark eyes. Have fun with it. Not like that." Some photographers are compulsively effusive. "Beautiful. Amazing. Gorgeous! Ugh, so gorgeous!" they yell at shutter speed. If you are anything less than insane, you will realize this is not sincere. It's hard to take because it's more positive feedback than you've received in your entire life thrown at you in fifteen seconds. It would be like going jogging while someone rode next to you in a slow-moving car, yelling, "Yes! You are Carl Lewis! You're breaking a world record right now. Amazing! You are fast. You're going very fast, yes!”

“I am constantly amazed by Tina Fey. And I am Tina Fey.”

“(Don Fey had a large rubber stamp that said "bullshit," which was and is awesome.)”

“That night's show was watched by ten million people, so I guess that director at The Second City who said the audience "didn't want to see a sketch with two women" can go shit in his hat.”

“Do your thing and don't care if they like it.”

“I grew up in a family of Republicans. And when I was 18 and registering to vote, my mom's only instruction was 'You just go in and pull the big Republican lever.' That's my welcome to adulthood. She's like, 'No, don't even read it. Just pull the Republican lever.”

“Most of the time you're too busy to think about it. But every now and then you say, 'I work at 'Saturday Night Live,' and that is so cool.”

“I think part of picking where you live in New York is accepting who you are. Really looking at yourself and going, 'Yeah, I'm not cool enough for the West Village.'”

“For my first show at 'SNL', I wrote a Bill Clinton sketch, and during our read-through, it wasn't getting any laughs. This weight of embarrassment came over me, and I felt like I was sweating from my spine out. But I realized, 'Okay, that happened, and I did not die.' You've got to experience failure to understand that you can survive it.”

“The only way I could get comfortable around people was to make them laugh. I was an obedient girl, and humor was my one form of rebellion. I used comedy to deflect. Like, 'Hey, check out my zit!' - you know, making fun of yourself before someone else has a chance to.”

“When humor works, it works because it's clarifying what people already feel. It has to come from someplace real.”