“Nadya Zelenin and her mother had returned from a performance of Eugene Onegin at the theatre. Going into her room, the girl swiftly threw off her dress and let her hair down. Then she quickly sat at the table in her petticoat and white bodice to write a letter like Tatyana's.'I love you,' she wrote, 'but you don't love me, you don't love me!'Having written this, she laughed.She was only sixteen and had never loved anyone yet. She knew that Gorny (an army officer) and Gruzdyov (a student) were both in love with her, but now, after the opera, she wanted to doubt their love. To be unloved and miserable: what an attractive idea! There was something beautiful, touching and romantic about A loving B when B wasn't interested in A. Onegin was attractive in not loving at all, while Tatyana was enchanting because she loved greatly. Had they loved equally and been happy they might have seemed boring.("After The Theatre")”
Anton Chekhov“Medicine is my lawful wife, and literature is my mistress. When I get fed up with one, I spend the night with the other. Though it is irregular, it is less boring this way, and besides, neither of them loses anything through my infidelity.”
Anton Chekhov“In all nature there seemed to be a feeling of hopelessness and pain. The earth, like a ruined woman sitting alone in a dark room and trying not to think of the past, was brooding over memories of spring and summer and apathetically waiting for the inevitable winter. Wherever one looked, on all sides, nature seemed like a dark, infinitely deep, cold pit from which neither Kirilov nor Abogin nor the red half-moon could escape....”
Anton Chekhov, The Essential Tales of Chekhov“As a rule, however fine and deep a phrase may be, it only affects the indifferent, and cannot fully satisfy those who are happy or unhappy; that is why dumbness is most often the highest expression of happiness or unhappiness; lovers understand each other better when they are silent, and a fervent, passionate speech delivered by the grave only touches outsiders, while to the widow and children of the dead man it seems cold and trivial.”
Anton Chekhov, The Essential Tales of Chekhov“In short, the man displayed a constant and insurmountable impulse to wrap himself in a covering, to make himself, so to speak, a case which would isolate him and protect him from external influences. Reality irritated him, frightened him, kept him in continual agitation, and, perhaps to justify his timidity, his aversion for the actual, he always praised the past and what had never existed; and even the classical languages which he taught were in reality for him goloshes and umbrellas in which he sheltered himself from real life.”
Anton Chekhov, The Complete Short Stories of Anton Chekhov“After us they'll fly in hot air balloons, coat styles will change, perhaps they'll discover a sixth sense and cultivate it, but life will remain the same, a hard life full of secrets, but happy. And a thousand years from now man will still be sighing, "Oh! Life is so hard!" and will still, like now, be afraid of death and not want to die.”
Anton Chekhov, Three Sisters: A Translation Of The Play By Anton Chekhov“We learn about life not from plusses alone, but from minuses as well.”
Anton Chekhov“Any idiot can face a crisis - it's day to day living that wears you out.”
Anton Chekhov“People don't notice whether it's winter or summer when they're happy.”
Anton Chekhov