“Night flight to San Francisco; chase the moon across America. God, it’s been years since I was on a plane. When we hit 35,000 feet we’ll have reached the tropopause, the great belt of calm air, as close as I’ll ever get to the ozone. I dreamed we were there. The plane leapt the tropopause, the safe air, and attained the outer rim, the ozone, which was ragged and torn, patches of it threadbare as old cheesecloth, and that was frightening. But I saw something that only I could see because of my astonishing ability to see such things: Souls were rising, from the earth far below, souls of the dead, of people who had perished, from famine, from war, from the plague, and they floated up, like skydivers in reverse, limbs all akimbo, wheeling and spinning. And the souls of these departed joined hands, clasped ankles, and formed a web, a great net of souls, and the souls were three-atom oxygen molecules of the stuff of ozone, and the outer rim absorbed them and was repaired. Nothing’s lost forever. In this world, there’s a kind of painful progress. Longing for what we’ve left behind, and dreaming ahead. At least I think that’s so.”

“It can be very hard to accept how disappointing life is, Harper, because that's what it is, and you have to accept it. With faith and time and hard work you reach a point where ... where the disappointment doesn't hurt as much, and then it gets easy to live with. Quite easy. Which ... is in its own way a disappointment.”

“You can't live in the world without an idea of the world, but it's living that makes the ideas. You can't wait for a theory, but you have to have a theory.”

“The Great Question before us is: Are we doomed? The Great Question before us is: Will the Past release us? The Great Question before us is: Can we Change? In Time? And we all desire that Change will come.”

“I try to tighten my heart into a knot, a snarl, I try to learn to live dead, just numb, but then I see someone I want, and it's like a nail, like a hot spike right through my chest, and I know I'm losing.”

“I feel there's a power in theatre, but it's an indirect power. It's like the relationship of the sleeper to the unconscious. You discover things you can't afford to countenance in waking life. You can forget them, remember them a day later or not have any idea what they are about.”

“People shouldn't trust artists and they shouldn't trust art. Part of the fun of art is that it invites you to interpret it.”

“Making movies is a very different experience in a lot of ways. It's difficult when you're used to owning the copyright and having a landlord's possessory rights - I rent my plays to the companies that do them and, if I'm upset, I can pull the play. But the only two directors I've worked with are pretty great.”

“Artists know that diligence counts as much, if not more, as inspiration; in art, as in politics, patience counts as much as revolution.”

“I find writing very difficult. It's hard and it hurts sometimes, and it's scary because of the fear of failure and the very unpleasant feeling that you may have reached the limit of your abilities.”

“I never really feel that I’m stuck. I actually think that people are never stuck, there’s no such thing as writers block, I think that theres terror that can silence you. But if you can think of it as a dynamic thing I mean a writers block, it’s a paralysis an immobility and the thing that has immobilized you is a very powerful force. Immobility is itself an act, it’s a choice. It can sometimes take as much energy to remain immobile as it does to be mobile. And if you think of it in a dynamic way then it’d freeze you from the sense that at some point your talent will simply abandon you and you’re just a vacant shell with nothing to say, I don’t think that ever really happens. But I think that terror, bad experience, trauma and so on can absolutely silence you.”