Of all the means of expression, photography is the only one that fixes forever the precise and transitory instant. We photographers deal in things that are continually vanishing, and when they have vanished, there is no contrivance on earth that can make them come back again. We cannot develop and print a memory. The writer has time to reflect. He can accept and reject, accept again; and before committing his thoughts to paper he is able to tie the several relevant elements together. There is also a period when his brain "forgets," and his subconscious works on classifying his thoughts. But for photographers, what has gone is gone forever.

Of all the means of expression, photography is the only one that fixes forever the precise and transitory instant. We photographers deal in things that are continually vanishing, and when they have vanished, there is no contrivance on earth that can make them come back again. We cannot develop and print a memory. The writer has time to reflect. He can accept and reject, accept again; and before committing his thoughts to paper he is able to tie the several relevant elements together. There is also a period when his brain "forgets," and his subconscious works on classifying his thoughts. But for photographers, what has gone is gone forever.

Henri Cartier-Bresson
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It is through living that we discover ourselves, at the same time as we discover the world around us.

Henri Cartier-Bresson, Henri Cartier-Bresson: The Modern Century
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I believe that, through the act of living, the discovery of oneself is made concurrently with the discovery of the world around us, which can mold us, but which can also be affected by us. A balance must be established between these two worlds—the one inside us and the one outside us.

Henri Cartier-Bresson, Henri Cartier-Bresson: The Mind's Eye: Writings on Photography and Photographers
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Of all the means of expression, photography is the only one that fixes forever the precise and transitory instant. We photographers deal in things that are continually vanishing, and when they have vanished, there is no contrivance on earth that can make them come back again. We cannot develop and print a memory. The writer has time to reflect. He can accept and reject, accept again; and before committing his thoughts to paper he is able to tie the several relevant elements together. There is also a period when his brain "forgets," and his subconscious works on classifying his thoughts. But for photographers, what has gone is gone forever.

Henri Cartier-Bresson, Henri Cartier-Bresson: The Mind's Eye: Writings on Photography and Photographers
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To take photographs is to hold one's breath when all faculties converge in the face of fleeing reality. It is at that moment that mastering an image becomes a great physical and intellectual joy.To take photographs means to recognize—simultaneously and within a fraction of a second—both the fact itself and the rigorous organization of visually perceived forms that give it meaning. It is putting one's head, one's eye, and one's heart on the same axis.

Henri Cartier-Bresson, Henri Cartier-Bresson: The Mind's Eye: Writings on Photography and Photographers
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For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. In order to "give a meaning" to the world, one has to feel oneself involved in what one frames through the viewfinder. This attitude requires concentration, a discipline of the mind, sensitivity, and a sense of geometry.

Henri Cartier-Bresson, Henri Cartier-Bresson: The Mind's Eye: Writings on Photography and Photographers
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To photograph is to hold one's breath, when all faculties converge to capture fleeting reality. It's at that precise moment that mastering an image becomes a great physical and intellectual joy.

Henri Cartier-Bresson, Henri Cartier-Bresson: The Mind's Eye: Writings on Photography and Photographers
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The creative act lasts but a brief moment, a lightning instant of give-and-take, just long enough for you to level the camera and to trap the fleeting prey in your little box.

Henri Cartier-Bresson
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To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event.

Henri Cartier-Bresson
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— How do you make your pictures? — I don’t know, it’s not important.

Henri Cartier-Bresson
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To photograph: it is to put on the same line of sight the head, the eye and the heart.

Henri Cartier-Bresson
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