“On April 18, 1906, when that earthquake hit San Francisco and took David from her, Vivien began to speak the language of grief. She understood that grief is not neat and orderly; it does not follow any rules. Time does not heal it. Rather, time insists on passing, and as it does, grief changes but does not go away. Sometimes she could actually visualize her grief. It was a wave, a tsunami that came unexpectedly and swept her away. She could see it, a wall of pain that had grabbed hold of her and pulled her under. Some days, she could reach the air and breathe in huge comforting gulps. Some days she barely broke the surface, and still, after all this time, some days it consumed her and she wondered if there was any way free of it.”

“On April 18, 1906, when that earthquake hit San Francisco and took David from her, Vivien began to speak the language of grief. She understood that grief is not neat and orderly; it does not follow any rules. Time does not heal it. Rather, time insists on passing, and as it does, grief changes but does not go away. Sometimes she could actually visualize her grief. It was a wave, a tsunami that came unexpectedly and swept her away. She could see it, a wall of pain that had grabbed hold of her and pulled her under. Some days, she could reach the air and breathe in huge comforting gulps. Some days she barely broke the surface, and still, after all this time, some days it consumed her and she wondered if there was any way free of it.”

“I was a mother who worked ridiculously hard to keep catastrophe at bay. I didn't allow my kids to eat hamburgers for fear of E. coli. I didn't allow them to play with rope, string, balloons - anything that might strangle them. They had to bite grapes in half, avoid lollipops, eat only when I could watch them.”

“I have learned that there is more power in a good strong hug than in a thousand meaningful words.”

“I am the woman with the cool vintage glasses... I am the proud wife beside her husband... I am the writer who has written a new novel.”

“I am thrilled to write 'The Treasure Chest,' and to bring to life not only the childhoods of famous people from history, but also the characters of Maisie and Felix, who I hope you will fall in love with just as I have!”

“Could a writer understand how her book had saved someone long ago, when the world was a fragile, scary place and the people she loved weren't in it anymore? Could a writer understand that her book had mattered more than anything?”

“It mattered most to me then because of where I was in my life. So in a way, there isn't just one book that matters most, there might be several, or even a dozen.”

“On April 18, 1906, when that earthquake hit San Francisco and took David from her, Vivien began to speak the language of grief. She understood that grief is not neat and orderly; it does not follow any rules. Time does not heal it. Rather, time insists on passing, and as it does, grief changes but does not go away. Sometimes she could actually visualize her grief. It was a wave, a tsunami that came unexpectedly and swept her away. She could see it, a wall of pain that had grabbed hold of her and pulled her under. Some days, she could reach the air and breathe in huge comforting gulps. Some days she barely broke the surface, and still, after all this time, some days it consumed her and she wondered if there was any way free of it.”

“The only language she could speak was grief. How could he not know that? Instead, she said, "I love you." She did. She loved him. But even that didn't feel like anything anymore.”

“This was how to help a family who has just lost their child. Wash the clothes, make soup. Don't ask them what they need, bring them what they need. Keep them warm. Listen to them rant, and cry, and tell their story over and over.”

“When you read a book, and who you are when you read it, makes it matter or not.”