“One gets the sense that, for Deleuze, the cinema of the movement-image has been fully realized while that of the time-image is emergent. Comparatively speaking, there are few "pure" examples of films where direct images of time predominate. Mixed or hybrid examples are more common.”

“One gets the sense that, for Deleuze, the cinema of the movement-image has been fully realized while that of the time-image is emergent. Comparatively speaking, there are few "pure" examples of films where direct images of time predominate. Mixed or hybrid examples are more common.”

“One gets the sense that, for Deleuze, the cinema of the movement-image has been fully realized while that of the time-image is emergent. Comparatively speaking, there are few "pure" examples of films where direct images of time predominate. Mixed or hybrid examples are more common.”