One of my luckiest instincts lay in being able to tell when I was happy— at the time, not afterwards. Most people don’t realize until long afterwards that they have passed through a period of happiness. Their enjoyment takes the form of reminiscence, and it is always tinged with regret that they had not known at the time how happy they were. But I knew, and my memory (of bad times too) was detailed and intense.

One of my luckiest instincts lay in being able to tell when I was happy— at the time, not afterwards. Most people don’t realize until long afterwards that they have passed through a period of happiness. Their enjoyment takes the form of reminiscence, and it is always tinged with regret that they had not known at the time how happy they were. But I knew, and my memory (of bad times too) was detailed and intense.

Paul Theroux
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When I started writing, I did have some idealised notion of my dad as a writer. But I have less and less of a literary rivalry with him as I've gone on. I certainly don't feel I need his approval, although maybe that's because I'm confident that I've got it.

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When I was in the Peace Corps I never made a phone call. I was in Central Africa; I didn't make a phone call for two years. I was in Uganda for another four years and I didn't make a phone call. So for six years I didn't make a phone call, but I wrote letters, I wrote short stories, I wrote books.

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Friendship is also about liking a person for their failings, their weakness. It's also about mutual help, not about exploitation.

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I have always felt that the truth is prophetic, and that if you describe precisely what you see and give it life with your imagination, then what you write ought to have lasting value, no matter what the mood of your prose.

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I wouldn't say that I'm a travel novelist, but rather a novelist who travels - and who uses travel as a background for finding stories of places.

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Mark Twain was a great traveler and he wrote three or four great travel books. I wouldn't say that I'm a travel novelist but rather a novelist who travels - and who uses travel as a background for finding stories of places.

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One of the things the 'Tao of Travel' shows is how unforthcoming most travel writers are, how most travelers are. They don't tell you who they were traveling with, and they're not very reliable about things that happened to them.

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I think people read travel books either because they intend to take that trip, or because they would never take that trip. In a sense, as a writer you are doing the travel for the reader.

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The appeal of travel books is also the sense that you are different, an outsider, almost like the Robinson Crusoe or Christopher Columbus notion of being the first person in a new place.

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