“Pen-bereavement is a serious matter.”

“One reason we have children I think is to learn that parts of ourselves we had given up for dead are merely dormant and that the old joys can re emerge fresh and new and in a completely different form.”

“If you truly love a book, you should sleep with it, write in it, read aloud from it, and fill its pages with muffin crumbs.”

“Something amazing happens when the rest of the world is sleeping. I am glued to my chair. I forget that I ever wanted to do anything but write. The crowded city, the crowded apartment, and the crowded calendar suddenly seem spacious. Three or four hours pass in a moment; I have no idea what time it is, because I never check the clock. If I chose to listen, I could hear the swish of taxis bound for downtown bars or the soft saxophone riffs that drift from a neighbor's window, but nothing gets through. I am suspended in a sensory deprivation tank, and the very lack of sensation is delicious.”

“We spread our sleeping bags on the snow and crawled inside. The vantage point was dizzying. It was impossible to tell whether the comet was above us or we were above the comet; we were all falling through space, missing the stars by inches.”

“Marina wouldn't want to be remembered because she dead. She would want to be remembered because she's good.”

“I, on the other hand, believe that books, maps, scissors, and Scotch tape dispensers are all unreliable vagrants, likely to take off for parts unknown unless strictly confined to quarters.”

“...in the midst of the tumult, part ecstasy and part panic, into which all first-time mothers are thrown by sleep deprivation and headlong identity realignment.”

“You're a romantic. What's romantic about a guy wanting to go somewhere and actually getting there?”

“But like balloons, they were excessively buoyant, and if you weren't careful, they floated away.”

“One of the strongest motivations for rereading is purely selfish: it helps you remember what you used to be like. Open an old paperback, spangled with marginalia in a handwriting you outgrew long ago, and memories will jump out with as much vigor as if you’d opened your old diary. These book-memories, says Hazlitt, are “pegs and loops on which we can hang up, or from which we can take down, at pleasure, the wardrobe of a moral imagination, the relics of our best affections, the tokens and records of our happiest hours.” Or our unhappiest. Rereading forces you to spend time, at claustrophobically close range, with your earnest, anxious, pretentious, embarrassing former self, a person you thought you had left behind but who turns out to have been living inside you all along.”