“People say I talk slowly. I talk in a way sometimes called laconic. The phone rings, I answer, and people ask if they’ve woken me up. I lose my way in the middle of sentences, leaving people hanging for minutes. I have no control over it. I’ll be talking, and will be interested in what I’m saying, but then someone—I’m convinced this what happens—someone—and I wish I knew who, because I would have words for this person—for a short time, borrows my head. Like a battery is borrowed from a calculator to power a remote control, someone, always, is borrowing my head.”

“People say I talk slowly. I talk in a way sometimes called laconic. The phone rings, I answer, and people ask if they’ve woken me up. I lose my way in the middle of sentences, leaving people hanging for minutes. I have no control over it. I’ll be talking, and will be interested in what I’m saying, but then someone—I’m convinced this what happens—someone—and I wish I knew who, because I would have words for this person—for a short time, borrows my head. Like a battery is borrowed from a calculator to power a remote control, someone, always, is borrowing my head.”

“People say I talk slowly. I talk in a way sometimes called laconic. The phone rings, I answer, and people ask if they’ve woken me up. I lose my way in the middle of sentences, leaving people hanging for minutes. I have no control over it. I’ll be talking, and will be interested in what I’m saying, but then someone—I’m convinced this what happens—someone—and I wish I knew who, because I would have words for this person—for a short time, borrows my head. Like a battery is borrowed from a calculator to power a remote control, someone, always, is borrowing my head.”

“It's not that our family has no taste, it's just that our family's taste is inconsistent.”

“I can remember exactly where I sat when my teacher first read Roald Dahl's 'James and the Giant Peach'.”

“So this is the space during tutoring hours. It's very busy. Same principles: one-on-one attention, complete devotion to the students' work and a boundless optimism and sort of a possibility of creativity and ideas.”

“It was just an idea I had, that it could be cool to have a book covered in fake fur.”

“His lies were so exquisite I almost wept.”

“The issue is complex, but like many matters in Sudan, it is not as complex as Khartoum would want the west to believe.”

“I wondered quickly if I'd give my life so that a dragon could live. If someone offered me that deal, your life for the existence of dragons.I thought maybe yes, maybe no.”

“It was like setting up a guillotine in the public square.You don't expect a thousand people to line up to put their heads in it.”

“[The long ride to Riyadh]When I first travelled, I was naive, sloppy, wide-eyed, and nothing happened to me. That’s probably where the dumb luck came in. Then I began to read the guidebooks, the State Department warnings, the endless elucidation of national norms, cultural cues and insults and regional dangers, and I became wary, careful, savvy. I kept my money taped inside my shoe, or strapped to my stomach. I took any kind of precaution, believing that the people of this area did this, and the people of that province did that. But then, finally, I realised no one of any region did anything I have ever expected them to do, much less anything the guidebooks said they would. Instead, they behaved as everyone behaves, which is to say they behave as individuals of damnably infinite possibility. Anyone could do anything, in theory, but most of the time everyone everywhere acts with plain bedrock decency, helping where help is needed, guiding where guidance is necessary. It’s almost weird.”