“Poets must be grounded in the education of the arts, drama, history, mysticism, esotericism, and philosophy. To gain knowledge and become learned of the above is easy - read. Poets should apply this knowledge to their work, so a poet will advance to the next level, to their next phase of their emotional, psychological and spiritual development, growing in years in a short space of time, in hours or months if he or she is an avid reader. This knowledge will birth work that is not meretricious but of noble parentage.”

“Except now everything is digital even murder. There is a record for everything under the sun from the moon and back whether we like it or not. The image that I have of the future is that it is very bleak. It is darkness visible. The black dog of depression will hang us all in the end. Considering the life we live, the values we teach our children, what we believe in everything is a movement for change and every pause between words is a revolutionary act. The ‘struggle’ was like a painful mental illness. The liberation in retrospect was either the exit from our slavery ushering us into a novel, brave, bold and brilliant world or a mass hallucination. The political climate in post-apartheid South Africa has gone as far as corrupting liberty.”

“Like water our ideals for writing what seems at first to be a calling to pen a masterpiece, it at first can be pure, fluid even (words can come easily) but we also have to learn to work with what our eyes glaze over as weak substitutes, words that we think have no substance to what we are learning towards. What is every poet's intention? Their intention is to forge, nullify, create, defend, fill the reader with the awe and inspiration that every poet themselves craves. They want to carve a name for themselves in the annals of history, leave a not so quiet legacy behind. Poets want immortality or rather they want their words to become immortal. Perhaps even Marlowe and Shakespeare had discussions about this.”

“Woman lost (skin deep) like a damn fine thread in the fireWoman of the world caught up in your black machinationsI was a woman who cried alone at night, who gave it all away when she saw the good heart of the man insideWoman caught standing up; her open parts are broken -”

“Woman lost (skin deep) like a damn fine thread in the fireWoman of the world caught up in your black machinationsI was a woman who cried alone at night, who gave it all away when she saw the good heart of the man insideWoman caught standing up; her open parts are broken -Someone's armour broke right through, it was you, youFor some reason I've been thinking about you, your lightToday, you poured out all the tension, the ego undergroundHibernating inside my heart. I was so close to it, to the flicker Of love in a lonely street and I turned my head and walkedAway from the flame in your arms. As I put away the fun inA house of fight I came across you and a mechanism inMy brain shifted chemically, walls caved in like the cadenceIn your words and I was lost in the darkness. Even now inMiddle age I remember when desire was a popular drugAnd everyone was selling it but I don't live to explore to beAble to illuminate the proof of my existence, live to burnVicariously though the diamond mouth of sleeping stars.From so much love, pictures of death arrived in black andWhite photographs and you're perfect, you always were -Illusions have no flaws; they're dangerous beings, smoke.Could I take the moon back and still live with my greatExpectations of nostalgia, laughter, tears and suffering -But they are all a part of me not the people of the stars,Long dead videotape, the past has stained the symphonyOf my soul (like the wind through the trees) throughoutMe finding myself, my two left feet as a female poetThe warning was there of the noise of eternity, signs That said, don't anger the sea, you have an ally in her.When men grow cold listen to their stories and bask inThe glory of their genuine deaths, their winters, putThem away so you can read them like the newspaper.Once in a while you can go back to where you stoodIn youth with your afternoon tea, the sun of God in ourEyes - I am that kind of woman who lives in the past”

“Poets must be grounded in the education of the arts, drama, history, mysticism, esotericism, and philosophy. To gain knowledge and become learned of the above is easy - read. Poets should apply this knowledge to their work, so a poet will advance to the next level, to their next phase of their emotional, psychological and spiritual development, growing in years in a short space of time, in hours or months if he or she is an avid reader. This knowledge will birth work that is not meretricious but of noble parentage.”