Sally's head plopped into the shallow water and rolled face up. For a while, the changing shades of pinks and oranges reflected across the surface of her dead eyes.

Sally's head plopped into the shallow water and rolled face up. For a while, the changing shades of pinks and oranges reflected across the surface of her dead eyes.

Shirley A. Martin
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What are you?' She asked. He shot her a brief glance and looked away. He stared at the scenery of the pastures and distant rows of trees. She knew he was not going to answer the question. In the brightening daylight, she could see that most of the blood on him was restricted to his mouth and hands. It dawned on her that it wasn't his blood, but the blood of something he had caught and eaten.

Shirley A. Martin, Bengalo Moon: Jook and Gypsies Vol. 2
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Sally's head plopped into the shallow water and rolled face up. For a while, the changing shades of pinks and oranges reflected across the surface of her dead eyes.

Shirley A. Martin, Bloodline Gypsy: Jook and Gypsies Vol. 1
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She didn't pick her way over the terrain like she was afraid of slipping on the ice...She glided over it with long confident strides. Her hands were in her vest pockets. Her eyes were Susannah.

Shirley A. Martin, Bloodline Gypsy: Jook and Gypsies Vol. 1
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Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become.

Shirley A. Martin, Bloodline Gypsy: Jook and Gypsies Vol. 1
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