“Seed Leaves Homage to R. F. Here something stubborn comes,Dislodging the earth crumbsAnd making crusty rubble.it comes up bending double,And looks like a green staple.It could be seedling maple,Or artichoke, or bean.That remains to be seen.Forced to make choice of ends,The stalk in time unbends,Shakes off the seed-case, heavesAloft, and spreads two leavesWhich still display no sureAnd special signature.Toothless and fat, they keepThe oval form of sleep.This plant would like to growAnd yet be embryo;In crease, and yet escapeThe doom of taking shape;Be vaguely vast, and climbTo the tip end of timeWith all of space to fill,Like boundless IgdrasilThat has the stars for fruit.But something at the rootMore urgent that the urgeBids two true leaves emerge;And now the plant, resignedTo being self-definedBefore it can commerceWith the great universe,Takes aim at all the skyAnd starts to ramify.”

“Seed Leaves Homage to R. F. Here something stubborn comes,Dislodging the earth crumbsAnd making crusty rubble.it comes up bending double,And looks like a green staple.It could be seedling maple,Or artichoke, or bean.That remains to be seen.Forced to make choice of ends,The stalk in time unbends,Shakes off the seed-case, heavesAloft, and spreads two leavesWhich still display no sureAnd special signature.Toothless and fat, they keepThe oval form of sleep.This plant would like to growAnd yet be embryo;In crease, and yet escapeThe doom of taking shape;Be vaguely vast, and climbTo the tip end of timeWith all of space to fill,Like boundless IgdrasilThat has the stars for fruit.But something at the rootMore urgent that the urgeBids two true leaves emerge;And now the plant, resignedTo being self-definedBefore it can commerceWith the great universe,Takes aim at all the skyAnd starts to ramify.”

“Seed Leaves Homage to R. F. Here something stubborn comes,Dislodging the earth crumbsAnd making crusty rubble.it comes up bending double,And looks like a green staple.It could be seedling maple,Or artichoke, or bean.That remains to be seen.Forced to make choice of ends,The stalk in time unbends,Shakes off the seed-case, heavesAloft, and spreads two leavesWhich still display no sureAnd special signature.Toothless and fat, they keepThe oval form of sleep.This plant would like to growAnd yet be embryo;In crease, and yet escapeThe doom of taking shape;Be vaguely vast, and climbTo the tip end of timeWith all of space to fill,Like boundless IgdrasilThat has the stars for fruit.But something at the rootMore urgent that the urgeBids two true leaves emerge;And now the plant, resignedTo being self-definedBefore it can commerceWith the great universe,Takes aim at all the skyAnd starts to ramify.”

“Writing poetry is talking to oneself; yet it is a mode of talking to oneself in which the self disappears; and the product's something that, though it may not be for everybody, is about everybody.”

“If the king had given me for my ownParis, his citadel,And I for that must leave aloneHer whom I love so well,I'd say then to the CrownTake back your glittering townMy darling is more fair, I swear.My darling is more fair.”

“The passion for such children contains no ego motive of anticipated reciprocity; one is choosing against, in the poet Richard Wilbur's phrase, 'loving things for reasons'. You find beauty and hope in the existence, rather than the achievements, of such a child. Most parenthood entails some struggle to change, educate and improve one's children; people with multiple severe disabilities may not become anything else, and there is a compelling purity in parental engagement not with what might or should or will be, but with, simply, what is.”