“She could, she thinks, have entered a different life. She could have had a life as potent and dangerous as literature itself.”

“I see myself..in those pages as she goes back and forth, enjoying simply enjoying the beauties of the moments then chastising herself for having ‘no edge’ being simple and worse, harmless.”

“Which is probably one of the reasons those of us who love contemporary fiction love it as we do. We’re alone with it. It arrives without references, without credentials we can trust. Givers of prizes (not to mention critics) do the best they can, but they may—they probably will—be scoffed at by their children’s children. We, the living readers, whether or not we’re members of juries, decide, all on our own, if we suspect ourselves to be in the presence of greatness. We’re compelled to let future generations make the more final decisions, which will, in all likelihood, seem to them so clear as to produce a sense of bafflement over what was valued by their ancestors; what was garlanded and paraded, what carried to the temple on the shoulders of the wise.”

“Julian is bluff and sturdy, royal; he possesses a gracefully muscular, equine beauty so natural it suggests that beauty itself is a fundamental human condition and not a mutation in the general design. ”

“It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and its perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.”

“One always has a better book in one's mind than one can manage to get onto paper.”

“This love of theirs, with its reassuring domesticity and its easy silences, its permanence, has yoked Sally directly to the machinery of mortality itself. Now there is a loss beyond imagining.”

“She pauses several treads from the bottom, listening, waiting; she is again possessed (it seems to be getting worse) by a dream-like feeling, as if she is standing in the wings, about to go onstage and perform in a play for which she is not appropriately dressed, and for which she has not adequately rehearsed.”

“A stray fact: insects are not drawn to candle flames, they are drawn to the light on the far side of the flame, they go into the flame and sizzle to nothingness because they're so eager to get to the light on the other side.”

“There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more.”

“She could, she thinks, have entered a different life. She could have had a life as potent and dangerous as literature itself.”