“She walks in beauty, like the nightOf cloudless climes and starry skies;And all that’s best of dark and brightMeet in her aspect and her eyes:Thus mellow’d to that tender lightWhich heaven to gaudy day denies.One shade the more, one ray the less,Had half impaired the nameless graceWhich waves in every raven tress,Or softly lightens o’er her face;Where thoughts serenely sweet expressHow pure, how dear their dwelling-place.And on that cheek, and o’er that brow,So soft, so calm, yet eloquent,The smiles that win, the tints that glow,But tell of days in goodness spent,A mind at peace with allA heart whose love is innocent!”

“She walks in beauty, like the nightOf cloudless climes and starry skies;And all that’s best of dark and brightMeet in her aspect and her eyes:Thus mellow’d to that tender lightWhich heaven to gaudy day denies.One shade the more, one ray the less,Had half impaired the nameless graceWhich waves in every raven tress,Or softly lightens o’er her face;Where thoughts serenely sweet expressHow pure, how dear their dwelling-place.And on that cheek, and o’er that brow,So soft, so calm, yet eloquent,The smiles that win, the tints that glow,But tell of days in goodness spent,A mind at peace with allA heart whose love is innocent!”

“A woman being never at a loss... the devil always sticks by them.”

“When a man hath no freedom to fight for at home,Let him combat for that of his neighbours;Let him think of the glories of Greece and of Rome,And get knocked on the head for his labours.To do good to Mankind is the chivalrous plan,And is always as nobly requited;Then battle fro Freedom wherever you can,And, if not shot or hanged, you'll get knighted.”

“Very Like a WhaleOne thing that literature would be greatly the better forWould be a more restricted employment by authors of simile and metaphor.Authors of all races, be they Greeks, Romans, Teutons or Celts,Can'ts seem just to say that anything is the thing it is but haveto go out of their way to say that it is like something else.What foes it mean when we are toldThat the Assyrian came down like a wolf on the fold?In the first place, George Gordon Byron had had enough experienceTo know that it probably wasn't just one Assyrian, it was a lotof Assyrians.However, as too many arguments are apt to induce apoplexy and thus hinder longevity,We'll let it pass as one Assyrian for the sake of brevity.Now then, this particular Assyrian, the one whose cohorts were gleaming in purple and gold,Just what does the poet mean when he says he came down like a wolfon the fold?In heaven and earth more than is dreamed of in our philosophy thereare a great many things,But i don't imagine that among then there is a wolf with purpleand gold cohorts or purple and gold anythings.No, no, Lord Byron, before I'll believe that this Assyrian was actually like a wolf I must have some kind of proof;Did he run on all fours and did he have a hairy tail and a big redmouth and big white teeth and did he say Woof woof?Frankly I think it very unlikely, and all you were entitled to say,at the very most,Was that the Assyrian cohorts came down like a lot of Assyrian cohorts about to destroy the Hebrew host.But that wasn't fancy enough for Lord Byron, oh dear me no, he hadto invent a lot of figures of speech and then interpolatethem,With the result that whenever you mention Old Testament soldiersto people they say Oh yes, they're the ones that a lotof wolves dressed up in gold and purple ate them.That's the kind of thing that's being done all the time by poets,from Homer to Tennyson;They're always comparing ladies to lilies and veal to venison,And they always say things like that the snow is a white blanketafter a winter storm.Oh it is, is it, all right then, you sleep under a six-inch blanketof snow and I'll sleep under a half-inch blanket of unpoeticalblanket material and we'll see which one keeps warm,And after that maybe you'll begin to comprehend dimly,What I mean by too much metaphor and simile.”

“...methinks the older that one grows, Inclines us more to laugh the scold, though laughterLeaves us so doubly serious shortly after.”

“But what is Hope? Nothing but the paint on the face of Existence; the least touch of truth rubs it off, and then we see what a hollow-cheeked harlot we have got hold of.”

“And yet methinks the older that one growsInclines us more to laugh than scold, though laughterLeaves us so doubly serious shortly after.”

“Despair and Genius are too oft connected”

“Where there is mystery, it is generally supposed there must be evil.”

“But first on earth as vampire sentThy corpse shall from its tomb be rentThen gastly haunt thy native placeAnd suck the blood of all thy race”

“She walks in beauty, like the nightOf cloudless climes and starry skies;And all that’s best of dark and brightMeet in her aspect and her eyes:Thus mellow’d to that tender lightWhich heaven to gaudy day denies.One shade the more, one ray the less,Had half impaired the nameless graceWhich waves in every raven tress,Or softly lightens o’er her face;Where thoughts serenely sweet expressHow pure, how dear their dwelling-place.And on that cheek, and o’er that brow,So soft, so calm, yet eloquent,The smiles that win, the tints that glow,But tell of days in goodness spent,A mind at peace with allA heart whose love is innocent!”