She was--I keep using the past tense; I ought to say she is--one of those people who, at first sight, look plain, are quiet, unassertive, unmemorable even. But who, when they start to talk and you get to know them, become more and more attractive and impressive, and you see that in fact they are beautiful. Not conventionally beautiful, not celebrity beautiful, but beautiful all through.

She was--I keep using the past tense; I ought to say she is--one of those people who, at first sight, look plain, are quiet, unassertive, unmemorable even. But who, when they start to talk and you get to know them, become more and more attractive and impressive, and you see that in fact they are beautiful. Not conventionally beautiful, not celebrity beautiful, but beautiful all through.

Aidan Chambers
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Secrets. Funny how, when you're about to be given something precious, something you've wanted for a long time, you suddenly feel nervous over taking it.Everyone wants more than anything to be allowed into someone else's most secret self. Everyone wants to allow someone into their most secret self. Everyone feels so alone inside that their deepest wish is for someone to know their secret being, because then they are alone no longer. Don't we all long for this? Yet when it's offered it's frightening, because you might not live up to the desires of the one who bestows the gift. And frightening because you know that accepting such a gift means you'll want-perhaps be expected- to offer a similar gift in return. Which means giving your *self* away. And what's more frightening than that?” ― Aidan Chambers, This is All: The Pillow Book of Cordelia Kenn

Aidan Chambers
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I asked Geertrui the other day what she thought love is-real love, true love. She said that for her real love is observing another person and being observed by another person with complete attention. If she's right, you only have to look at the pictures Rembrandt painted of Titus, and there are quite a lot, to see that they loved each other. Because that is what you're seeing. Complete attention, one of the other..."but in that case," he said, speaking the words as the thought came to him, "all art is love, because all art is about looking closely, isn't it? Looking closely at what's being painted.""The artist looking closely while he paints, the viewer looking closely at what has been painted. I agree. All true art, yes. Painting, Writing-literature-also. I think it is. And bad art is a failure to observe with complete attention. So, you see why I like the history of art. It's the study of how to observe life with complete attention. It's the history of love.

Aidan Chambers
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Few pleasures, for the true reader, rival the pleasure of browsing unhurriedly among books: old books, new books, library books, other people's books, one's own books - it does not matter whose or where. Simply to be among books, glancing at one here, reading a page from one over there, enjoying them all as objects to be touched, looked at, even smelt, is a deep satisfaction. And often, very often, while browsing haphazardly, looking for nothing in particular, you pick up a volume that suddenly excites you, and you know that this one of all the others you must read. Those are great moments - and the books we come across like that are often the most memorable.

Aidan Chambers
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I don’t actually think “true love” is such a good term because love can only be true. If it isn’t true it can’t be love.

Aidan Chambers, Dying to Know You
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And trust dies from ifs and buts

Aidan Chambers, Dying to Know You
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She was--I keep using the past tense; I ought to say she is--one of those people who, at first sight, look plain, are quiet, unassertive, unmemorable even. But who, when they start to talk and you get to know them, become more and more attractive and impressive, and you see that in fact they are beautiful. Not conventionally beautiful, not celebrity beautiful, but beautiful all through.

Aidan Chambers, Dying to Know You
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The plain unwelcome fact is that sometimes life stymies you.

Aidan Chambers, Dying to Know You
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If we try to measure Now, we find it's always gone, has become part of the past.

Aidan Chambers, The Toll Bridge
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It's one of the great temptations, you see--wanting to prove the strength of your own faith by making others believe what you believe. It shows you're right. But it doesn't prove anything of the sort. All it proves is that you're condescending and arrogant and good at doing what half-decent actors can do, or advertising agents, or pop stars, or politicians, or con men, or any of the professional persuaders. They sell illusions. And that's all they do. And they feel good when they succeed. That's what their lives depend on. Which isn't true about religion. Or shouldn't be. Your belief shouldn't depend on what other people think about it. And it certainly should not depend on whether other people believe the same as you.

Aidan Chambers, Nik: Now I Know
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He thought: How difficult it is to explain yourself to yourself. Sometimes there only is, and no knowing.

Aidan Chambers, Postcards from No Man's Land
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