“Should one of them after having caught the greatness of Abraham's deed, but also the appallingness of it, venture out on the road, I would saddle my horse and ride along with him. At every stop before we came to the mountain in Moriah I would explain to him that he could still turn back, could rue the misunderstanding that he was called to be tried in a conflict of this nature, could confess that he lacked the courage, so that if God wanted Isaac God must take him himself.”
Johannes de Silentio“I am poor—you are my riches; dark—you are my light; I own nothing, need nothing. And how could I own anything? After all, it is a contradiction that he can own something who does not own himself. I am happy as a child who is neither able to own anything nor allowed to. I own nothing, for I belong only to you; I am not, I have ceased to be, in order to be yours.”—Johannes De Silentio, from_Either/Or_”
Søren Kierkegaard“How far removed in time must an event be for us to remember it? How far for memory's longing to be no longer able to seize it? Most people have a limit in this respect: what lies too near them in time they cannot remember, nor what lies too remote. I know no limit. What was experienced yesterday, I push back a thousand years in time, and remember as if it were yesterday."―Johannes de Silentio, from_Either/Or_”
Søren Kierkegaard“In love with myself, that is what people say I am. It doesn’t surprise me, for how could they notice that I can love when I love only you; how could anyone else suspect it when I love only you? In love with myself. Why? Because I’m in love with you, because it is you I love, you alone, and all that truly belongs to you, and it is thus I love myself, because this, my self, belongs to you, so that if I ceased loving you I would cease loving myself. What then is, in the eyes of the profane world, an expression of the greatest egoism, is for your initiated eyes the expression of purest sympathy; what in the profane eyes of the world is an expression of the most prosaic self-preservation, is for your sacred sight the expression of the most enthusiastic self-annihilation.”―Johannes de Silentio, from_Either/Or: A Fragment of Life_”
Søren Kierkegaard“If I could forget you! Is my love then a work of memory? Even if time expunged everything from its tablets, expunged even memory itself, my relation to you would stay just as alive, you would still not be forgotten. If I could forget you! What then should I remember? For after all, I have forgotten myself in order to remember you: so if I forgot you I would come to remember myself; but the moment I remembered myself I would have to remember you again. If I could forget you! What would happen then? There is a picture from antiquity. It depicts Ariadne. She is leaping up from her couch and gazing anxiously after a ship that is hurrying away under full sail. By her side stands Cupid with unstrung bow and drying his eyes. Behind her stands a winged female figure in a helmet. It is usually assumed this is Nemesis. Imagine this picture, imagine it changed a little. Cupid is not weeping and his bow is not unstrung; or would you have become less beautiful, less victorious, if I had become mad? Cupid smiles and bends his bow. Nemesis does not stand inactive by your side; she too draws her bow. In that other picture we see a male figure on the ship, busily occupied. It is assumed it is Theseus. Not so in my picture. He stands on the stern, he looks back longingly, spreads his arms. He has repented, or rather, his madness has left him, but the ship carries him away. Cupid and Nemesis both aim at him, an arrow flies from each bow; their aim is true; one sees that, one understands, they have both hit the same place in his heart, a sign that his love was the Nemesis that wrought vengeance." ―Johannes de Silentio, from_Either/Or: A Fragment of Life_”
Søren Kierkegaard“Should one of them after having caught the greatness of Abraham's deed, but also the appallingness of it, venture out on the road, I would saddle my horse and ride along with him. At every stop before we came to the mountain in Moriah I would explain to him that he could still turn back, could rue the misunderstanding that he was called to be tried in a conflict of this nature, could confess that he lacked the courage, so that if God wanted Isaac God must take him himself.”
Johannes de Silentio, Fear and Trembling: Dialectical Lyric“Abraham I cannot understand; in a way all I can learn from him is to be amazed. If one imagines one can be moved to faith by considering the outcome of this story, one deceives oneself, and is out to cheat God of faith's first movement, one is out to suck the life-wisdom out of the paradox. One or another may succeed, for our age does not stop with faith, with its miracle of turning water into wine; it goes further, it turns wine into water.”
Johannes de Silentio, Fear and Trembling: Dialectical Lyric