“So that you will hear memy wordssometimes grow thinas the tracks of the gulls on the beaches.Necklace, drunken bellfor your hands smooth as grapes.And I watch my words from a long way off.They are more yours than mine.They climb on my old suffering like ivy.It climbs the same way on damp walls.You are to blame for this cruel sport.They are fleeing from my dark lair.You fill everything, you fill everything.Before you they peopled the solitude that you occupy,and they are more used to my sadness than you are.Now I want them to say what I want to say to youto make you hear as I want you to hear me.The wind of anguish still hauls on them as usual.Sometimes hurricanes of dreams still knock them over.You listen to other voices in my painful voice.Lament of old mouths, blood of old supplications.Love me, companion. Don't forsake me. Follow me.Follow me, companion, on this wave of anguish.But my words become stained with your love.You occupy everything, you occupy everything.I am making them into an endless necklacefor your white hands, smooth as grapes.”

“Settle your perfect hips here and the bow of wet arrowsloosens into the night the petals that form your formlet your clay limbs climb the silence and its pale ladderrung by rung taking off with me in my dream.I can sense you scaling the shade tree that sings to the shadows.Dark is the world’s night without you my love,”

“Dark is the world’s night without you my love,”

“In one kiss, you'll know all I haven't said.”

“Our love was bornoutside the walls,in the wind,in the night,in the earth,and that's why the clay and the flower,the mud and the rootsknow your name.”

“You came to my lifewith what you were bringing,madeof light and bread and shadow I expected you,and Like this I need you,Like this I love you,and to those who want to hear tomorrowthat which I will not tell them, let them read it here,and let them back off today because it is earlyfor these arguments.”

“Fear envelops bones like new skin,envelops blood with night’s skin,the earth moves beneath the soles of the feet -it is not your hair but the terror in your head,like long hair made of vertical nails,and what you see are not shattered streets,but rather, within you, your own crushed walls,your frustrated infinity, again the city comescrashing down: in your silence, only water’s threatis heard, and in the waterdrowned horses gallop through your death.”

“It was at that agethat poetry came in search of me.”

“We the mortals touch the metals,the wind, the ocean shores, the stones,knowing they will go on, inert or burning,and I was discovering, naming all the these things:it was my destiny to love and say goodbye.”

“When I hit a block, regardless of what I am writing, what the subject matter is, or what's going on in the plot, I go back and I read Pablo Neruda's poetry. I don't actually speak Spanish, so I read it translation. But I always go back to Neruda. I don't know why, but it calms me, calms my brain.”

“And it was at that age ... Poetry arrived in search of me. I don't know, I don't know where it came from, from winter or a river. I don't know how or when, no they were not voices, they were not words, nor silence, but from a street I was summoned, from the branches of night, abruptly from the others, among violent fires or returning alone, there I was without a face and it touched me. ”