“Storm WarningsThe glass has been falling all the afternoon, And knowing better than the instrument What winds are walking overhead, what zone Of grey unrest is moving across the land, I leave the book upon a pillowed chair And walk from window to closed window, watching Boughs strain against the skyAnd think again, as often when the air Moves inward toward a silent core of waiting, How with a single purpose time has traveled By secret currents of the undiscerned Into this polar realm. Weather abroad And weather in the heart alike come on Regardless of prediction.Between foreseeing and averting change Lies all the mastery of elements Which clocks and weatherglasses cannot alter. Time in the hand is not control of time, Nor shattered fragments of an instrument A proof against the wind; the wind will rise, We can only close the shutters.I draw the curtains as the sky goes black And set a match to candles sheathed in glass Against the keyhole draught, the insistent whine Of weather through the unsealed aperture. This is our sole defense against the season; These are the things we have learned to do Who live in troubled regions.”

“Truthfulness, honor, is not something which springs ablaze of itself; it has to be created between people. This is true in political situations. The quality and depth of the politics evolving from a group depends in large part on their understanding of honor. Much of what is narrowly termed "politics" seems to rest on a longing for certainty even at the cost of honesty, for an analysis which, once given, need not be re-examined…It isn't that to have an honorable relationship with you, I have to understand everything, or tell you everything at once, or that I can know, beforehand, everything I need to tell you. It means that most of the time I am eager, longing for the possibility of telling you. That these possibilities may seem frightening, but not destructive to me. That I feel strong enough to hear your tentative and groping words. That we both know we are trying, all the time, to extend the possibilities of truth between us.”

“I don't trust them but I'm learning to use them.”

“I touch you knowing we weren't born tomorrow,and somehow, each of us will help the other live,and somewhere, each of us must help the other die.”

“The moment of change is the only poem.”

“Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.”

“Art, whose honesty must work through artifice, cannot avoid cheating truth.”

“The connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.”

“The mother's battle for her child with sickness, with poverty, with war, with all the forces of exploitation and callousness that cheapen human life needs to become a common human battle, waged in love and in the passion for survival.”

“Women's art though created in solitude wells up out of community. There is clearly both enormous hunger for the work thus being diffused and an explosion of creative energy bursting through the coercive choicelessness of the system on whose boundaries we are working.”

“The moment of change is the only poem.”