“Stripped to its essence, combat is a series of quick decisions and rather precise actions carried out in concert with ten or twelve other men. In that sense it’s much more like football than, say, like a gang fight. The unit that choreographs their actions best usually wins. They might take casualties, but they win. That choreography—you lay down fire while I run forward, then I cover you while you move your team up—is so powerful that it can overcome enormous tactical deficits. There is choreography for storming Omaha Beach, for taking out a pillbox bunker, and for surviving an L-shaped ambush at night on the Gatigal. The choreography always requires that each man make decisions based not on what’s best for him, but on what’s best for the group. If everyone does that, most of the group survives. If no one does, most of the group dies. That, in essence, is combat.”

“The only thing that makes battle psychologically tolerable is the brotherhood among soldiers. You need each other to get by.”

“I decided to start a medical training program for freelancers, only freelancers. They're the ones who are doing most of the combat reporting. They're taking most of the risks. They're absorbing most of the casualties. And they're the most underserved and under-resourced of everyone in the entire news business.”

“I don't think people would climb mountains or jump off bridges with parachutes or kayak Class V rapids if those things didn't offer the brief and horrible illusion of imminent death. They would just be complicated, time-consuming endeavors that we'd steer well clear of because they got in the way of real life.”

“If you shell a military base and happen to kill civilians, you have not committed a war crime; if you deliberately target cities and towns, you have.”

“The negative effects of combat were nightmares, and I'd get jumpy around certain noises and stuff, but you'd have that after a car accident or a bad divorce. Life's filled with trauma. You don't need to go to war to find it; it's going to find you. We all deal with it, and the effects go away after awhile. At least they did for me.”

“Maybe the ultimate wound is the one that makes you miss the war you got it in.”

“The coward’s fear of death stems in large part from his incapacity to love anything but his own body. The inability to participate in others’ lives stands in the way of his developing any inner resources sufficient to overcome the terror of death. — J. Glenn Gary, The Warriors”

“The problem is that it's hard to aim a rifle when your heart is pounding, which points to an irony of modern combat: it does extraordinarily violent things to the human body but requires almost dead calm to execute well.”

“Stripped to its essence, combat is a series of quick decisions and rather precise actions carried out in concert with ten or twelve other men. In that sense it’s much more like football than, say, like a gang fight. The unit that choreographs their actions best usually wins. They might take casualties, but they win. That choreography—you lay down fire while I run forward, then I cover you while you move your team up—is so powerful that it can overcome enormous tactical deficits. There is choreography for storming Omaha Beach, for taking out a pillbox bunker, and for surviving an L-shaped ambush at night on the Gatigal. The choreography always requires that each man make decisions based not on what’s best for him, but on what’s best for the group. If everyone does that, most of the group survives. If no one does, most of the group dies. That, in essence, is combat.”

“The army consists of the first infantry division and eight million replacements.”