“That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space.It was the Song of Eyllwe.Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan. When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.The next morning, by royal decree, the theatre was shut down.No one saw those musicians or their conductor again.”
Sarah J. Maas“Sometimes, the wicked will tell us things just to confuse us–to haunt our thoughts long after we've faced them.”
Sarah J. Maas, Throne of Glass“Libraries were full of ideas—perhaps the most dangerous and powerful of all weapons.”
Sarah J. Maas, Throne of Glass“She didn't fear the night, though she found little comfort in its dark hours.”
Sarah J. Maas, Throne of Glass“I didn’t think saying good-bye would be so hard. And with everything that’s to come—We’ll face it together. To whatever end.”
Sarah J. Maas, Queen of Shadows“What we think to be our greatest weakness can sometimes be our biggest strength.”
Sarah J. Maas, A Court of Wings and Ruin“She wouldn't ask. Didn't want to know what manner of thing might crawl toward a fire.”
Sarah J. Maas, Heir of Fire“We need hope, or else we cannot endure.”
Sarah J. Maas, A Court of Thorns and Roses