“That's why I've just gone on … collecting this particular kind of stuff – what you might call riff-raff. There's not a book here, Lawford, that hasn't at least a glimmer of the real thing in it – just Life, seen through a living eye, and felt. As for literature, and style, and all that gallimaufry, don't fear for them if your author has the ghost of a hint of genius in his making.”

“The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.”

“It's a very odd thing As odd as can be That whatever Miss T. eats Turns into Miss T.”

“Hi handsome hunting man Fire your little gun Bang! Now the animal Is dead and dumb and done. Nevermore to peep again creep again leap again Eat or sleep or drink again. Oh what fun.”

“Let them enjoy their Eden while they can; though there's plenty of apples, I fear, on the tree yet, Mr Lawford.”

“Oh, pity the poor gluttonWhose troubles all beginIn struggling on and on to turnWhat's out into what's in.”

“His brow is seamed with line and scar;His cheek is red and dark as wine;The fires as of a Northern starBeneath his cap of sable shine.His right hand, bared of leathern glove,Hangs open like an iron gin,You stoop to see his pulses move,To hear the blood sweep out and in.He looks some king, so solitaryIn earnest thought he seems to stand,As if across a lonely seaHe gazed impatient of the land.Out of the noisy centuriesThe foolish and the fearful fade;Yet burn unquenched these warrior eyes,Time hath not dimmed, nor death dismayed.”

“ there anybody there?' said the Traveller,Knocking on the moonlit door;And his horse in the silence champed the grassesOf the forest's ferny floor.And a bird flew up out of the turret,Above the Traveller's head:And he smote upon the door again a second time;'Is there anybody there?' he said.But no one descended to the Traveller;No head from the leaf-fringed sillLeaned over and looked into his grey eyes,Where he stood perplexed and still.But only a host of phantom listenersThat dwelt in the lone house thenStood listening in the quiet of the moonlightTo that voice from the world of men:Stood thronging the faint moonbeams on the dark stair,That goes down to the empty hall,Hearkening in an air stirred and shakenBy the lonely Traveller's call.And he felt in his heart their strangeness,Their stillness answering his cry,While his horse moved, cropping the dark turf,'Neath the starred and leafy sky;For he suddenly smote on the door, evenLouder, and lifted his head:--'Tell them I came, and no one answered,That I kept my word,' he said.Never the least stir made the listeners,Though every word he spakeFell echoing through the shadowiness of the still houseFrom the one man left awake:Ay, they heard his foot upon the stirrup,And the sound of iron on stone,And how the silence surged softly backward,When the plunging hoofs were gone.”

“Once a man strays out of the common herd, he's more likely to meet wolves in the thickets than angels.”

“Lawford had soundlessly stolen a pace or two nearer, and by stopping forward he could, each in turn, scrutinize the little intent company sitting over his story around the lamp at the further end of the table; squatting like little children with their twigs and pins, fishing for wonders on the brink of the unknown.”

“In these days of faith-cures, and hypnotism, and telepathy, and subliminalities – why, the simple old world grows very confusing. But rarely, very rarely novel.”