“The creator of Sir John Falstaff, of Hamlet, and of Rosalind also makes me wish I could be more myself. But that, as I argue throughout this book, is why we should read, and why we should read only the best of what has been written.”

“We read deeply for varied reasons, most of them familiar: that we cannot know enough people profoundly enough; that we need to know ourselves better; that we require knowledge, not just of self and others, but of the way things are.”

“Harold Bloom weeps for me.”

“Criticism in the universities, I'll have to admit, has entered a phase where I am totally out of sympathy with 95% of what goes on. It's Stalinism without Stalin.”

“What we call a poem is mostly what is not there on the page. The strength of any poem is the poems that it has managed to exclude.”

“The second, and I think this is the much more overt and I think it is the main cause, I have been increasingly demonstrating or trying to demonstrate that every possible stance a critic, a scholar, a teacher can take towards a poem is itself inevitably and necessarily poetic.”

“No one has yet managed to be post-Shakespearean.”

“No one yet has managed to be post-Shakespearean.”

“A play that takes as its burden the meaning of self-consciousness may hint that inner freedom can be attained only when the protagonist can separate his genius for expanding consciousness from his own passion for theatricality.”

“[Lear] is the universal image of the unwisdom and destructiveness of paternal love at its most ineffectual, implacably persuaded of its own benignity, totally devoid of self-knowledge, and careening onward until it brings down the person it loves best, and its world as well.”

“Reading well is one of the great pleasuresthat solitude can afford you, because it isat least in my experience, the most healing of pleasures.”