“The farmhouse sat on a rise at the end of a long dirt road, in a clearing surrounded by fruit trees and ninety acres of pines. It was painted white, and peeling, and some former hippie tenant had painted a mandala on the wall just inside the door with fine-point Magic Marker. I painted over it, but it bled through, again and again. I finally left it there, a pale and pastel version of itself, hanging ghostlike in the hall.”
“The farmhouse sat on a rise at the end of a long dirt road, in a clearing surrounded by fruit trees and ninety acres of pines. It was painted white, and peeling, and some former hippie tenant had painted a mandala on the wall just inside the door with fine-point Magic Marker. I painted over it, but it bled through, again and again. I finally left it there, a pale and pastel version of itself, hanging ghostlike in the hall.”
Marjorie Hudson
“The farmhouse sat on a rise at the end of a long dirt road, in a clearing surrounded by fruit trees and ninety acres of pines. It was painted white, and peeling, and some former hippie tenant had painted a mandala on the wall just inside the door with fine-point Magic Marker. I painted over it, but it bled through, again and again. I finally left it there, a pale and pastel version of itself, hanging ghostlike in the hall.”
Marjorie Hudson, Accidental Birds of the CarolinasAll in One Creative & Marketing Platform to tell stories at scale
