The most successful critics are always scribbling things in their programs, largely because it gives them an important and industrious air. Also, it is interesting to try to figure out what you've written afterward. Last week, for instance, I made a very helpful note during the second act of a drama called "They Walk Alone." "Lanchstr get face stuck 1 these nights awful if," it seemed to say.

The most successful critics are always scribbling things in their programs, largely because it gives them an important and industrious air. Also, it is interesting to try to figure out what you've written afterward. Last week, for instance, I made a very helpful note during the second act of a drama called "They Walk Alone." "Lanchstr get face stuck 1 these nights awful if," it seemed to say.

Wolcott Gibbs
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The most successful critics are always scribbling things in their programs, largely because it gives them an important and industrious air. Also, it is interesting to try to figure out what you've written afterward. Last week, for instance, I made a very helpful note during the second act of a drama called "They Walk Alone." "Lanchstr get face stuck 1 these nights awful if," it seemed to say.

Wolcott Gibbs, Backward Ran Sentences: The Best of Wolcott Gibbs from The New Yorker
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