“The no-booze rule is one of several shams perpetuated by certain religious groups, presumably to keep their flocks in line. After all, what’s a shepherd to do with drunk sheep? So take your medicine, but leave the booze on the shelf. We have a label to keep, and it’s not Jack Daniels. Don’t mourn for me. Just tell me what to do rather than teach me what to be. Slam another pill, pop that one last sedative…you’ll find me in the kitchen, washing my glass.”

“The no-booze rule is one of several shams perpetuated by certain religious groups, presumably to keep their flocks in line. After all, what’s a shepherd to do with drunk sheep? So take your medicine, but leave the booze on the shelf. We have a label to keep, and it’s not Jack Daniels. Don’t mourn for me. Just tell me what to do rather than teach me what to be. Slam another pill, pop that one last sedative…you’ll find me in the kitchen, washing my glass.”

“The no-booze rule is one of several shams perpetuated by certain religious groups, presumably to keep their flocks in line. After all, what’s a shepherd to do with drunk sheep? So take your medicine, but leave the booze on the shelf. We have a label to keep, and it’s not Jack Daniels. Don’t mourn for me. Just tell me what to do rather than teach me what to be. Slam another pill, pop that one last sedative…you’ll find me in the kitchen, washing my glass.”

“A mist rises from a nearby mound. It could be me, that mist, or simply the caretaker’s mower-dust. If the breeze blows just right, I’ll ghost your solid, entwine your hair. Promise me you won’t shampoo, but carry me along, tiny dust-particles of me.”

“I’ve never had a rat, never chased one. I chase my own tail and that’s enough. I must now make plans for the day I catch it.”

“I’m engaged in the dance of the ages and the search for a song to go with it. Though Templeton’s A Veritable Smorgasbord is a well-deserving classic, it’s a stanza too short for my morphing existence. So I write my own.”

“This world rubs me raw, scours me smooth like an SOS pad put to a grease-caked skillet. And pain: it stabs and scrapes and pulls me back to earth, my final B&B, that worm-spun cot of cool black sod.”

“I die with the dying light, yet shine brighter as the darkness approaches. Soon I’ll be whittled to bone and stripped clean through, nothing left but a skeleton on which to hang a hat. But have no fear, I look good in hats.”

“In this book, much is metaphorical, not as it seems. It’s written for writing’s sake, as if I were to say, “Let me tell you I’m dying.” Well of course I am. So are you.”

“This isn’t a religious book though I mention God, not a medical advisory though I speak of pain. It’s a circus, a mortuary, a grade school, a limousine ride. Will it be worth the paper it’s printed on or the screen you hold in your hand? I just hope you remember it next week.”

“The setting sun threatened to consume me—it could have, you know. It would have been a beautiful death with an honorable eulogy: slain by a magnificent slice of piercing orange energy. I simply turned and walked away; I would live another day.”

“PLEASE TELL ME YOU KNOW OF SYLVIA PLATHConventions bleed my soulsqueeze me oldwear me grey like a headstone in transit.It’s tradition and form—fear of the unknown—driving me deadin tight spaces darkly.I cry aloudbut who can hearwhen I stand alonein the middle of an art show….”