“The philosophy of poetry must acknowledge that the poetic act has no past, at least no recent past, in which its preparation and appearance could be followed.”
“The philosophy of poetry must acknowledge that the poetic act has no past, at least no recent past, in which its preparation and appearance could be followed.”
Gaston Bachelard
“Reveries of idealization develop, not by letting oneself be taken in by memories, but by constantly dreaming the values of a being whom one would love. And that is the way a great dreamer dreams his double. His magnified double sustains him." - Gaston Bachelard, "Reveries on Reverie (Anima - Animus)", The Poetics of Reverie: Childhood, Language, and the Cosmos, Page 88”
Gaston Bachelard, The Poetics of Reverie“Even a minor event in the life of a child is an event of that child's world and thus a world event”
Gaston Bachelard“Would a bird build its nest if it did not have its instinct for confidence in the world?”
Gaston Bachelard, The Poetics of Space“A special kind of beauty exists which is born in language, of language, and for language.”
Gaston Bachelard“The repose of sleep refreshes only the body. It rarely sets the soul at rest. The repose of the night does not belong to us. It is not the possession of our being. Sleep opens within us an inn for phantoms. In the morning we must sweep out the shadows.”
Gaston Bachelard“The characteristic of scientific progress is our knowing that we did not know.”
Gaston Bachelard“So like a forgotten fire a childhood can always flare up again within us.”
Gaston Bachelard“Contemplating a flame perpetuates a primordial reverie. It separates us from the world and enlarges our world as dreamers. In itself the flame is a major presence, but being close to it makes us dream of far away, too far away. The flame is there, feeble and tiny, struggling to stay in existence, and the dreamer goes on to dream of elsewhere, losing his own being by dreaming on a grand, on a too grand scale by dreaming of the world.”
Gaston Bachelard“Baudelaire writes: In certain almost supernatural inner states, the depth of life is entirely revealed in the spectacle, however ordinary, that we have before our eyes, and which becomes the symbol of it." Here we have a passage that designates the phenomenological direction I myself pursue. The exterior spectacle helps intimate grandeur unfold.”
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