There is a sort of aesthetic poverty about conservatism

There is a sort of aesthetic poverty about conservatism

Alan Hollinghurst
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Andrew Davies has said he prefers his authors dead, and I can see there is only a limited usefulness in a live one when it comes to adaptation.

Alan Hollinghurst
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Delight is délice, délit is a misdemeanour''Well, it's bloody close...''Well, they often are....

Alan Hollinghurst, The Line of Beauty
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He wanted pure compliments, just as he wanted unconditional love.

Alan Hollinghurst, The Line of Beauty
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I can’t bear the smell of cigars, can you?” said Lady Partridge. “Lionel hates it too,” murmured Rachel. As did Nick, to whom the dry lavatorial stench of cigars signified the inexplicable confidence of other men’s tastes and habits, and their readiness to impose them on their fellows.

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She felt that at some point she must finally and formally talk to Louisa about Hubert, and ask her to acknowledge that the worst possible thing had happened to her as well.

Alan Hollinghurst, The Stranger's Child
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On the stairs he was crying so much he hardly saw where he was going - not a mad boo-hoo but wailing sheets of tears, shaken into funny groans by the bump of each step as he hurried down.

Alan Hollinghurst, The Stranger's Child
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There was the noise itself, which he thought of vaguely as the noise of classical music, sameish and rhetorical, full of feelings people surely never had

Alan Hollinghurst, The Stranger's Child
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After that they browsed for a minute or two in a semi-detached fashion. Nick found a set of Trollope which had a relatively modest and approachable look among the rest, and took down The Way We Live Now, with an armorial bookplate, the pages uncut. “What have you found there?” said Lord Kessler, in a genially possessive tone. “Ah, you’re a Trollope man, are you?” “I’m not sure I am, really,” said Nick. “I always think he wrote too fast. What was it Henry James said, about Trollope and his ‘great heavy shovelfuls of testimony to constituted English matters’?” Lord Kessler paid a moment’s wry respect to this bit of showing off, but said, “Oh, Trollope’s good. He’s very good on money.” “Oh…yes…” said Nick, feeling doubly disqualified by his complete ignorance of money and by the aesthetic prejudice which had stopped him from ever reading Trollope. “To be honest, there’s a lot of him I haven’t yet read.” “No, this one is pretty good,” Nick said, gazing at the spine with an air of judicious concession. Sometimes his memory of books he pretended to have read became almost as vivid as that of books he had read and half forgotten, by some fertile process of auto-suggestion. He pressed the volume back into place and closed the gilded cage.

Alan Hollinghurst, The Line of Beauty
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There is a sort of aesthetic poverty about conservatism

Alan Hollinghurst, The Line of Beauty
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The worse they are the more they see beauty in each other.

Alan Hollinghurst, The Line of Beauty
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