“There is nothing that special to see when looking at me. I'm a painter who paints day in day out, from morning till evening - figure pictures and landscapes, more rarely portraits.”

“There is nothing that special to see when looking at me. I'm a painter who paints day in day out, from morning till evening - figure pictures and landscapes, more rarely portraits.”

“Whoever wants to know something about me - as an artist which alone is significant - they should look attentively at my pictures and there seek to recognise what I am and what I want.”

“Although even when I am being idle I have plenty of food for thought both early and late - thoughts both about and not about art.”

“Sometimes I miss out the morning's painting session and instead study my Japanese books in the open.”

“There is nothing that special to see when looking at me. I'm a painter who paints day in day out, from morning till evening - figure pictures and landscapes, more rarely portraits.”

“Some elements appear in this picture which would be decisive in Klimt's subsequent work: for instance, the use of gold and the transformation of anatomy into ornamentation, of ornamentation into anatomy.”

“This intensely lyrical vision of the pregant woman in [i]Hope I[i] is set in an ambiguous context peopled with masks, death's heads and allegorical monsters such as Sin, Disease, Poverty and Death, all threatening the incipient life.”