“There's been a lot to get used to here." Esther laughed. "Isn't that the truth. I don't know if you ever get used to it really. It just gets in your blood so that you can't stand to be anywhere else.”

“There's been a lot to get used to here." Esther laughed. "Isn't that the truth. I don't know if you ever get used to it really. It just gets in your blood so that you can't stand to be anywhere else.”

“He stood there a moment, listened to the creek, and let the mountain air blow against his face. Even with all this heartache, it was beautiful here.”

“The exact science of one molecule transformed into another -- that Mabel could not explain, but then again she couldn't explain how a fetus formed in the womb, cells becoming beating heart and hoping soul. She could not fathom the hexagonal miracle of snowflakes formed from clouds, crystallized fern and feather that tumble down to light on a coat sleeve, white stars melting even as they strike. How did such force and beauty come to be in something so small and fleeting and unknowable?”

“There's been a lot to get used to here." Esther laughed. "Isn't that the truth. I don't know if you ever get used to it really. It just gets in your blood so that you can't stand to be anywhere else.”

“Why was it always the woman's fate to pace and fret and wait?”

“Then he returned to Mabel and put his mouth to her ear. I'd never let anything happen to you. You know that, don't you?”

“It was as if she had reached into her own pocket and discovered a small pebble, as hard as a diamond, that she had forgotten belonged to her.”

“...and she would wonder if one can truly stop the inevitable. Was it as Ada had suggested, that we can choose our own endings, joy over sorrow? Or does the cruel world just give and take, give and take, while we flounder through the wilderness?”

“Everywhere, even in the blackest abyss, he believed one might witness the divine. The shadows and contrast―absence itself―as important as the light and marble, for one cannot exist without the other.”

“What is it that causes us to fall in love? We are met with those first, initial glimpses-- a kind of curiosity, a longing for that which is both familiar and unknown in the other. And then comes the surprise of discovery; we share certain aspirations, certain appreciations, and that which is different excites us. Before each other, we are moved to bravery and we come to reveal more and more of ourselves, and when we do, those very traits that caused us some embarrassment or shame become beautiful in ways we did not understand before, and the entire world becomes more beautiful for it. There are, too, those intimate and nearly primitive stirrings, the scent of the neck, the delicious tremble of skin and breath. Yet for all their pleasures, they are as tenuous as light and air, and demand no fidelity.And then there is this: Does not love depend on some belief in the future, some expectation beyond the delight of the moment? We fall in love because we imagine a certain life together. We will marry. We will laugh and dance together. We will have children.When expectation falls to ruins, what is there left for love?”

“Who am I to claim such boundless sorrow? This heartache, acute and true as it may be, is slight compared to all of this world. Five miscarriages, two stillborn, three live births, and Mrs. Connor is one of our fortunate. She is not disemboweled in the snow. Her hands have committed no atrocities. She believes in God. It is remarkable how we go on. All that we come to know and witness and endure, yet our hearts keep beating, our faith persists.”