“There's great sadness and life doesn't work out like you would want, on a lot of levels, but there's no need to feel all alone. This happens to everybody, so there's no self-pity. This is the ride that humans are on, and all of it is essential for our natural part of it.”

“There's great sadness and life doesn't work out like you would want, on a lot of levels, but there's no need to feel all alone. This happens to everybody, so there's no self-pity. This is the ride that humans are on, and all of it is essential for our natural part of it.”

“My experience, with both my parents, is that grief has a lot of down, sad things, but I was also really emotionally raw, in the first year after each of them passed. Flowers smelled more intensely, my relationships were hotter, and I was more willing to risk. I was going for it a lot more. I was 'unsober' and I wasn't playing by my rules.”

“It's funny now how much we look at - whatever you want to call it: art, design, culture stuff, film - online, and how in the online world, you're instantly global.”

“I would hate to think I'm promoting sadness as an aesthetic. But I grew up in not just a family but a town and a culture where sadness is something you're taught to feel shame about. You end up chronically desiring what can be a very sentimental idea of love and connection. A lot of my work has been about trying to make a space for sadness.”

“Being a good Hans Haacke student, part of his influence on me is that there's no difference between a gallery show and a film - or even an ad and a T-shirt-in terms of cultural legitimacy. They're just different contexts in which to have some sort of communication.”

“Sadness is a super important thing not to be ashamed about but to include in our lives. One of the bigger problems with sadness or depression is there's so much shame around it. If you have it you're a failure. You are felt as being very unattractive.”

“To me, sadness and humor aren't disrelated and humor is the best tool I've had against the sadness in my life.”